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Architonic ID: 20789044
Año de Lanzamiento: 2020
Comfort in a small space. Neatness in a solid chair. Soft lines with an indulgent gap in the back. The ability to fit into any environment, thanks to its different materials and colours. There’s space for everything in the multifunctional Fendo armchair, which can now be even more varied with the addition of a solid wood frame to the existing choice of frames. A new classic feature for an armchair that loves variety, quite simply.
“A cosy wraparound chair with the comfort of a mini armchair makes Fendo versatile in many different settings. It can be used as a single armchair or with many other chairs around a table where you want to sit comfortably for a long time. With the help of different leg options in a variety of materials offering various functions and looks, I want every chair to find its rightful place. I have now added the new option of legs in solid wood to bring out the chair’s soft lines and give it a more classic look." /Stefan Borselius
Armchair. Frame in oak or white pigmented ash. Stained as option.
Width 55 cm
Seat Height 45 cm
Depth 56 cm
Weight 10,2 kg
Height 76 cm
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Especificaciones
Material
Base madera maciza, Madera
Variantes
2
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Certificaciones y sostenibilidad
www.skandiform.se media 5399 mobelfakta-fendo-ks-253
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3
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Diseñadores
Stefan Borselius
Sweden
born 1974 in Malmö. Educated at the Konstfack University College of Arts, Crafts and Design. He attended Carl Malmstens school and Steneby school, and studied furniture carpentry and design. Stefan Borselius is an ingenious designer with a head bursting with ideas. He can be quiet and thoughtful, but when he speaks out he’s quite the verbal gymnast, an art he balances with being an equally inventive and an aesthetically pleasing designer. Stefan’s choice of career was inspired by his grandfather and great grandfather who were both skilled furniture carpenters. Stefan prefers to call himself a carpenter, and he believes that hands, thoughts and precision are all important tools of his occupation. Right from the function and material of an object through to the final product, Stefan wants to create furniture for our time and our way of living, our here and our now. When he works with a product, Stefan Borselius leaves nothing to chance, but goes methodically and whole- heartedly through every single detail, every function and every characteristic which a material or a technique can offer. He pushes the boundaries of what is possible to produce, and would rather give up and pursue another route than not produce anything at all. He leaves no stone unturned in his quest for a solution. As a result, his products have a strong sense of identity which already answer unasked questions in their strong expressionism.