


Architonic ID: 1095911
Year of Launch: 2010
Made of polyethylene resin by rotational moulding. 100% Recyclable.Item suitable for indoor and outdoor use. Available in different finishes.
Concept
KARIM RASHID has developed about 50 proposals for the Spanish brand VONDOM which, finally, ended up being edited and translated into 6 products families, among them show up DOUX, a collection of different pieces derives directly from the pen sketching freely: organic, spontaneous, friendly, and colorful.
The zoomorphic forms are to engage, to touch, to sit, to enjoy.
Exclusive pieces are manufactured by the rotational molding technique.
The versatility & dynamism are the most standing out elements of this collection. One of the peculiarity of this product family is the multi-functionality of the table- when laying down, it carries out the function as table and there has a hole works as room for storage; when raising up, the hole used as flower pot or as a cool ice-tray for champagne or wines etc.
This product belongs to collection:
Base plastic, Plastic, Seat plastic

www.vondom.com imagenes certificados general ENG ISO VONDOM

www.vondom.com imagenes certificados general ENG Scratch Abrasion Lacquered

www.vondom.com imagenes certificados general ENG LED Lighting

www.vondom.com imagenes certificados general ENG UVI

www.vondom.com imagenes certificados general ENG Fire retardant Polyethylene
Explore the Vondom catalog collection.

United States
Today poetic design is based on a plethora of complex criteria: human experience, social behaviors, global, economic and political issues, physical and mental interaction, form, vision, and a rigorous understanding and desire for contemporary culture. Manufacturing is based on another collective group of criteria: capital investment, market share, production ease, dissemination, growth, distribution, maintenance, service, performance, quality, ecological issues and sustainability. The combination of these factors shape our objects, inform our forms, our physical space, visual culture and our contemporary human experience. These quantitative constructs shape business, identity, brand and value. This is the business of beauty. Every business should be completely concerned with beauty - it is after all a collective human need. I believe that we could be living in an entirely different world - one that is full of real contemporary inspiring objects, spaces, places, worlds, spirits and experiences. Design has been the cultural shaper of our world from the start. We have designed systems, cities, and commodities. We have addressed the world’s problems. Now design is not about solving problems, but about a rigorous beautification of our built environments. Design is about the betterment of our lives poetically, aesthetically, experientially, sensorially, and emotionally. My real desire is to see people live in the modus of our time, to participate in the contemporary world, and to release themselves from nostalgia, antiquated traditions, old rituals, kitsch and the meaningless. We should be conscious and attune with this world in this moment. If human nature is to live in the past - to change the world is to change human nature.