Deel
Druk
1/17
Vertex stool
- Tuis/Bar stools/
Vertex stool
Oor hierdie produk
Architonic ID: 1255242
Bekendstellingsjaar: 2014
The VERTEX Collection has been created to add a more conceptual architectural item to our space, giving it a more sophisticated touch.
The Vertex stool has been added to the collection, a detailed and elegant member that maintains the original inspiration of the whole collection.
These pieces are made with a rotational molding technique; the principle characteristic of this process is that the material is 100% recycable and there are endless possibilities as to it’s shaping.
Konsep
VERTEX is a set of table and chairs with triangular planes which join dynamically together to create comfortable forms suitable for dining or meeting rooms, banquet or lecture halls and other casual needs. VERTEX looks as if it was chiselled from a single block of material, what remains is structural yet, beautiful. The VERTEX collection was created to integrate a more conceptual architectural piece into our space, to give it a more sophisticated touch.
Hierdie produk behoort aan die volgende versameling:
Produkspesifikasies
Material
Base plastic, Plastic, Seat plastic
Sertifisering & Volhoubaarheid
www.vondom.com imagenes certificados general ENG ISO VONDOM
www.vondom.com imagenes certificados general ENG Scratch Abrasion Lacquered
www.vondom.com imagenes certificados general ENG LED Lighting
www.vondom.com imagenes certificados general ENG UVI
www.vondom.com imagenes certificados general ENG Fire retardant Polyethylene
Ontwerplêers
9
Verspreiders
Ontwerpers
Karim Rashid
United States
Today poetic design is based on a plethora of complex criteria: human experience, social behaviors, global, economic and political issues, physical and mental interaction, form, vision, and a rigorous understanding and desire for contemporary culture. Manufacturing is based on another collective group of criteria: capital investment, market share, production ease, dissemination, growth, distribution, maintenance, service, performance, quality, ecological issues and sustainability. The combination of these factors shape our objects, inform our forms, our physical space, visual culture and our contemporary human experience. These quantitative constructs shape business, identity, brand and value. This is the business of beauty. Every business should be completely concerned with beauty - it is after all a collective human need. I believe that we could be living in an entirely different world - one that is full of real contemporary inspiring objects, spaces, places, worlds, spirits and experiences. Design has been the cultural shaper of our world from the start. We have designed systems, cities, and commodities. We have addressed the world’s problems. Now design is not about solving problems, but about a rigorous beautification of our built environments. Design is about the betterment of our lives poetically, aesthetically, experientially, sensorially, and emotionally. My real desire is to see people live in the modus of our time, to participate in the contemporary world, and to release themselves from nostalgia, antiquated traditions, old rituals, kitsch and the meaningless. We should be conscious and attune with this world in this moment. If human nature is to live in the past - to change the world is to change human nature.
