Deel
Druk
1/15
Oor hierdie produk
Architonic ID: 1139613
Bekendstellingsjaar: 2010
60 x 53 cm H 40 cm
Konsep
PAL is, as the name suggests, a friendly and modern line of indoor & outdoor furniture design by KARIM RASHID for the Spanish brand VONDOM.
The minimal iconic shape at the front of the object is revolved around, keeping a constant flow of similarity between the different objects of this collection.
The PAL stool is multi-functional – there is room for storage and when it flips over it becomes a small side table then placed together with a second become an even larger coffee table; there has a hole in lateral plan works as room for storage. The collection PAL, unique at its class, manufactured with resin of polyethylene by the technique of rotational molding, introduces you into a new aesthetic concept for IN & OUT furniture.
Hierdie produk behoort aan die volgende versameling:
Produkspesifikasies
Base
Closed base
Feature
Seat unpadded
Usage
Contract, Hospitality, Office, Outdoor / Garden
Sertifisering & Volhoubaarheid
www.vondom.com imagenes certificados general ENG HPL
www.vondom.com imagenes certificados general ENG ISO VONDOM
www.vondom.com imagenes certificados general ENG Scratch Abrasion Lacquered
www.vondom.com imagenes certificados general ENG UVI
www.vondom.com imagenes certificados general ENG Fire retardant Polyethylene
Ontwerplêers
9
Verspreiders
Ontwerpers
Karim Rashid
United States
Today poetic design is based on a plethora of complex criteria: human experience, social behaviors, global, economic and political issues, physical and mental interaction, form, vision, and a rigorous understanding and desire for contemporary culture. Manufacturing is based on another collective group of criteria: capital investment, market share, production ease, dissemination, growth, distribution, maintenance, service, performance, quality, ecological issues and sustainability. The combination of these factors shape our objects, inform our forms, our physical space, visual culture and our contemporary human experience. These quantitative constructs shape business, identity, brand and value. This is the business of beauty. Every business should be completely concerned with beauty - it is after all a collective human need. I believe that we could be living in an entirely different world - one that is full of real contemporary inspiring objects, spaces, places, worlds, spirits and experiences. Design has been the cultural shaper of our world from the start. We have designed systems, cities, and commodities. We have addressed the world’s problems. Now design is not about solving problems, but about a rigorous beautification of our built environments. Design is about the betterment of our lives poetically, aesthetically, experientially, sensorially, and emotionally. My real desire is to see people live in the modus of our time, to participate in the contemporary world, and to release themselves from nostalgia, antiquated traditions, old rituals, kitsch and the meaningless. We should be conscious and attune with this world in this moment. If human nature is to live in the past - to change the world is to change human nature.
