


Architonic ID: 1101839
Anno di Lancio: 2010
Realizzato in resina di polietilene mediante stampaggio rotazionale a doppia parete. 100% riciclabile. Adatto per uso interno ed esterno. Disponibile in varie finiture.
Concetto
KARIM RASHID ha sviluppato circa 50 proposte per il marchio spagnolo VONDOM delle quali sono state scelte 6 famiglie di prodotti. Tra questi si distingue DOUX, una collezione organica, spontanea, colorata...forme naturali pensate per toccare, sedersi, divertirsi; estratte direttamente dai suoi bozzetti.
Pezzi esclusivi fabbricati attraverso la técnica dello stampo rotazionale.
La versalità ed il dinamismo sono le qualità più distinguibili in questa collezione. Una delle peculiarità di questa famiglia di prodotti è la multifunzionalità del tavolino: quando è in piedi assume la funzione di tavolo, con a lato un foro per l’alloggiamento di oggetti; quando viene posizionato di lato il foro diventa un vaso per piante o un portaghiaccio per champagne, vino,etc.
Questo prodotto appartiene alla collezione:
Base plastica, Plastica, Seduta plastica

www.vondom.com imagenes certificados general ENG ISO VONDOM

www.vondom.com imagenes certificados general ENG Scratch Abrasion Lacquered

www.vondom.com imagenes certificados general ENG LED Lighting

www.vondom.com imagenes certificados general ENG UVI

www.vondom.com imagenes certificados general ENG Fire retardant Polyethylene
Esplora la collezione di cataloghi di Vondom.

United States
Today poetic design is based on a plethora of complex criteria: human experience, social behaviors, global, economic and political issues, physical and mental interaction, form, vision, and a rigorous understanding and desire for contemporary culture. Manufacturing is based on another collective group of criteria: capital investment, market share, production ease, dissemination, growth, distribution, maintenance, service, performance, quality, ecological issues and sustainability. The combination of these factors shape our objects, inform our forms, our physical space, visual culture and our contemporary human experience. These quantitative constructs shape business, identity, brand and value. This is the business of beauty. Every business should be completely concerned with beauty - it is after all a collective human need. I believe that we could be living in an entirely different world - one that is full of real contemporary inspiring objects, spaces, places, worlds, spirits and experiences. Design has been the cultural shaper of our world from the start. We have designed systems, cities, and commodities. We have addressed the world’s problems. Now design is not about solving problems, but about a rigorous beautification of our built environments. Design is about the betterment of our lives poetically, aesthetically, experientially, sensorially, and emotionally. My real desire is to see people live in the modus of our time, to participate in the contemporary world, and to release themselves from nostalgia, antiquated traditions, old rituals, kitsch and the meaningless. We should be conscious and attune with this world in this moment. If human nature is to live in the past - to change the world is to change human nature.