


Vertex table
Architonic ID: 1483937
Anno di Lancio: 2010
Made of polyethylene resin by rotational moulding. 100% Recyclable. Item suitable for indoor and outdoor use. Available in different finishes. Tabletop with HPL.
Concetto
Uno degli ultimi grandi lavori di KARIM RASHID lo possiamo incontrare in VERTEX, una famiglia
di mobili ultra-contemporanei scolpiti per IN&OUT disegnati per il marchio spagnolo VONDOM.
VERTEX è formato dall’unione di sedia e tavoli i cui piani triangolari si uniscono dinamicamente per creare forme confortevoli che si adattano al corpo. Pezzi fatti per essere utilizzati per cena, sala riunione, banchetti, uffici e altre differenti necessità. VERTEX sembra creato partendo da un blocco “unico” di materiale, formando così un pezzo più strutturale e più bello.
La collezione VERTEX è stata creata per integrare nel nostro spazio un pezzo archittettonico
più concettuale, apportando, in questo modo, un tocco più sofisticato.
I pezzi sono realizzati tramite la tecnologia di stampo rotazionale;
la principale caratteristica di questo processo produttivo è che il materiale è riciclabile
al 100% e che si possono fabbricare infinite forme differenti.
Questo prodotto appartiene alla collezione:
Base plastica, Materiale composito, Plastica, Piano rivestito / laminato

www.vondom.com imagenes certificados general ENG HPL

www.vondom.com imagenes certificados general ENG ISO VONDOM

www.vondom.com imagenes certificados general ENG Scratch Abrasion Lacquered

www.vondom.com imagenes certificados general ENG UVI

www.vondom.com imagenes certificados general ENG Fire retardant Polyethylene

United States
Today poetic design is based on a plethora of complex criteria: human experience, social behaviors, global, economic and political issues, physical and mental interaction, form, vision, and a rigorous understanding and desire for contemporary culture. Manufacturing is based on another collective group of criteria: capital investment, market share, production ease, dissemination, growth, distribution, maintenance, service, performance, quality, ecological issues and sustainability. The combination of these factors shape our objects, inform our forms, our physical space, visual culture and our contemporary human experience. These quantitative constructs shape business, identity, brand and value. This is the business of beauty. Every business should be completely concerned with beauty - it is after all a collective human need. I believe that we could be living in an entirely different world - one that is full of real contemporary inspiring objects, spaces, places, worlds, spirits and experiences. Design has been the cultural shaper of our world from the start. We have designed systems, cities, and commodities. We have addressed the world’s problems. Now design is not about solving problems, but about a rigorous beautification of our built environments. Design is about the betterment of our lives poetically, aesthetically, experientially, sensorially, and emotionally. My real desire is to see people live in the modus of our time, to participate in the contemporary world, and to release themselves from nostalgia, antiquated traditions, old rituals, kitsch and the meaningless. We should be conscious and attune with this world in this moment. If human nature is to live in the past - to change the world is to change human nature.