Condividere
Stampa



Condividere
Stampa
Architonic ID: 1474803
SKU: SDRAP000
Anno di Lancio: 2009
Divano.
Dimensioni: 170 cm x 80 cm x 75 cm. H. seduta 36 cm
Peso. 35 kg
Materiale: polietilene
Colori
Standard: bianco, nero, grigio, cioccolato, verde malva, blu, argilla, grigio chiaro, verde lime, giallo, arancione, rosso, fucsia
Laccati: bianco, nero, grigio, avorio, rosso, dorato, argentato, ramato.
Luminosi: bianco, fucsia
Cuscino in poliuretano morbido: bianco, grigio, antracite.
Concetto
Essenziale e lineare, la collezione Rap si presenta con una seduta comoda e uno schienale avvolgente. Creata dall'eclettico designer Karim Rashid, la collezione è formata da due sedute: il divano Rap e la poltrona Rap Chair. Ideale per arredare un angolo outdoor o indoor di contract ed eventi, la collezione Rap colpisce per il suo design minimalista ma al tempo stesso capace di catturare l'attenzione. La forma dello schienale, riprodotto in dimensioni minori anche sulla poltrona, abbraccia chi si siede, regalando comfort, relax e un senso di protezione che permette di godersi appieno un momento di compagnia. Nella versione luminosa, la collezione risulta ancora più glamour e contemporanea.
Questo prodotto appartiene alla collezione:
Base plastica, Plastica, Seduta plastica

United States
Today poetic design is based on a plethora of complex criteria: human experience, social behaviors, global, economic and political issues, physical and mental interaction, form, vision, and a rigorous understanding and desire for contemporary culture. Manufacturing is based on another collective group of criteria: capital investment, market share, production ease, dissemination, growth, distribution, maintenance, service, performance, quality, ecological issues and sustainability. The combination of these factors shape our objects, inform our forms, our physical space, visual culture and our contemporary human experience. These quantitative constructs shape business, identity, brand and value. This is the business of beauty. Every business should be completely concerned with beauty - it is after all a collective human need. I believe that we could be living in an entirely different world - one that is full of real contemporary inspiring objects, spaces, places, worlds, spirits and experiences. Design has been the cultural shaper of our world from the start. We have designed systems, cities, and commodities. We have addressed the world’s problems. Now design is not about solving problems, but about a rigorous beautification of our built environments. Design is about the betterment of our lives poetically, aesthetically, experientially, sensorially, and emotionally. My real desire is to see people live in the modus of our time, to participate in the contemporary world, and to release themselves from nostalgia, antiquated traditions, old rituals, kitsch and the meaningless. We should be conscious and attune with this world in this moment. If human nature is to live in the past - to change the world is to change human nature.