Condividere
Stampa



Condividere
Stampa
Koncord
Architonic ID: 1474739
SKU: SDKON000
Anno di Lancio: 2009
Sgabello.
Dimensioni: 43 cm x 40 cm x 76 cm.
Peso: 5 Kg
Materiale: polietilene
Colori
Standard: bianco, nero, grigio, cioccolato, verde malva, blu, argilla, grigio chiaro, verde lime, giallo, arancione, rosso, fucsia.
Laccati: bianco, nero, grigio, avorio, rosso, dorato, argentato, ramato.
Concetto
Ogni elemento di Koncord e Jet danno l'idea di essere in movimento: il nome aerospaziale, la forma ergonomica, il design futuristico. Fin dai primi bozzetti di Karim Rashid, il movimento in questo prodotto è sempre stata la caratteristica più amata. Anche la sua versatilità è amata: Koncord è infatti l'elemento ideale per contract, abitazioni private ed eventi.Koncord e Jet sono partner perfetti: la linea sinuosa del tavolo, infatti, segue la curvatura dello sgabello e si fonde con essa.
Base plastica, Plastica, Seduta plastica

United States
Today poetic design is based on a plethora of complex criteria: human experience, social behaviors, global, economic and political issues, physical and mental interaction, form, vision, and a rigorous understanding and desire for contemporary culture. Manufacturing is based on another collective group of criteria: capital investment, market share, production ease, dissemination, growth, distribution, maintenance, service, performance, quality, ecological issues and sustainability. The combination of these factors shape our objects, inform our forms, our physical space, visual culture and our contemporary human experience. These quantitative constructs shape business, identity, brand and value. This is the business of beauty. Every business should be completely concerned with beauty - it is after all a collective human need. I believe that we could be living in an entirely different world - one that is full of real contemporary inspiring objects, spaces, places, worlds, spirits and experiences. Design has been the cultural shaper of our world from the start. We have designed systems, cities, and commodities. We have addressed the world’s problems. Now design is not about solving problems, but about a rigorous beautification of our built environments. Design is about the betterment of our lives poetically, aesthetically, experientially, sensorially, and emotionally. My real desire is to see people live in the modus of our time, to participate in the contemporary world, and to release themselves from nostalgia, antiquated traditions, old rituals, kitsch and the meaningless. We should be conscious and attune with this world in this moment. If human nature is to live in the past - to change the world is to change human nature.