Condividere
Stampa



Condividere
Stampa
Architonic ID: 1410474
Anno di Lancio: 1988
Poltrona, pouf e divano a due o più posti
Due versioni di seduta: con piuma o con memory foam.
STRUTTURA: legno con cinghie elastiche.
PIEDINI: piedini anteriori in faggio tinto all’anilina color noce finiti
con vernice trasparente a base acqua o a base solvente con o
senza ruota. Piedini posteriori e centrale in massello di faggio tinto
all’anilina color noce finiti con vernice trasparente a base acqua o
a base solvente con sottopiede regolabile in termoplastica.
IMBOTTITURA: poliuretano espanso a quote differenziate e ovatta
di poliestere rivestito con vellutino di poliestere e tela di cotone.
Per le versioni FR (Fire Resistant) a richiesta, i materiali dell’imbottitura
sono come da normative.
CUSCINO DI SEDUTA- VERSIONE PIUMA: piuma d’oca rivestita
con tela di cotone.
CUSCINO DI SEDUTA- VERSIONE MEMORY FOAM: memory foam,
poliuretano espanso e ovatta di poliestere, rivestiti con tela di cotone.
Solo per il mercato UK le parti previste in memory foam
vengono realizzate in poliuretano espanso.
CUSCINETTO POGGIARENI: ovatta di poliestere rivestita con vellutino
di poliestere.
RIVESTIMENTO ESTERNO: rivestimento tecnicamente sfoderabile
in tessuto o fisso in velluto.
Questo prodotto appartiene alla collezione:
Base quattro gambe
Ecru
Con schienale
Abitazione

Italy
Vico Magistretti was an Italian architect, as well as furniture and industrial designer. For many years he was a leading figure of Milan Rationalism, and developed timeless solutions for technical and formal problems. Vico Magistretti – a biography Ludovico Magistretti was born on 6 October 1920 in Milan. The son of an architect, he began his own architectural studies in 1939 at the Polytechnic University of Milan. In 1943, he left Italy during his military service, moving to Switzerland, where he attended architecture courses at the university in Lausanne. It was in Switzerland that Magistretti encountered the architects Ernesto Nathan Rogers, a key moment in his intellectual and professional formation. 1945 saw Magistretti move back to Milan, where he graduated from the polytechnic. He went on to work with the architect Paolo Chessa in his father Pier Giulio’s firm. Originally involved in city planning for Milan, Magistretti migrated in the 1950s over to the industrial design of furniture and lamps, working primarily for manufacturers Artemide, Cassina, Fritz Hansen and Kartell. One of his most celebrated pieces is the Carimate chair for Cassina, which, over the years, has become a bestseller. Magistretti’s work has been exhibited internationally in many of the most important museums, from Europe and the USA to Japan. Several pieces can be found in the permanent collection of the Museum of Modern Art in New York. Vico Magistretti’s various accolades include the Grand Prix and a Gold Medal from the Triennale di Milano, two Compasso d'Oro awards and a gold medal from the Chartered Society of Industrial Artists & Designers. Magistretti taught for 20 years at the Royal College of Art in London and was recognised as a Royal Designer. He also taught at Milan’s Domus Academy and was honorary member of the Royal Scottish Incorporation of Architects. Vico Magistretti’s design work Magistretti’s designs are considered by many to enjoy a cult status when it comes to Italian design. He was without doubt a leading figure in the golden era of Italian product design, combining innovative ideas with rational functionality. His work was always thoroughly utilitarian, using the latest technologies to create timeless classics. Carimate Chair In 1959, Vico Magistretti designed the Carimate Chair for the golf club in Carimate, Lombardy. It quickly became the most popular seating choice for restaurants throughout Italy. Produced by Cassina since 1962, the piece saw the beginning of a long collaboration with the Italian manufacturer. Eclisse Table Lamp Vico Magistretti designed the Eclisse Table Lamp in 1967 for the Italian manufacturer Artemide. The light source is housed at the centre of a small, sculpture-like form. The design was awarded a Compasso d'Oro in 1967 and can be found to this day in numerous museum collections worldwide. © by Architonic