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Architonic ID: 20746050
SKU: 490000703063
Anno di Lancio: 2019
Chelsea is Karim Rashid's take on a feminine, soft and organic design that brings sensual comfort to your room. It's an eye-catching piece inspired by the Chelsea neighborhood of New York City- the artist hub and home of the famous designer.
MEASURES AND WEIGHT
Height: 78½/41 cm
Width: 88½ cm
Depth: 100cm
Seat height: 41 cm
Weight: 39kg
maximum weight load: 125 kg
MATERIALS
Composition: 100% polyester
Backrest: 48 kg/m3 HR molded foam
Frame: metal frame
Seat: 48 kg/m3 HR molded foam
Suspension: Nosag suspension made of metal
Fabric interlining: non-woven fabric (90g/m2), non-woven fabric (50g/m2), jacquard fabric with BC logo
Questo prodotto appartiene alla collezione:
Base a raso
Seduta e schienale imbottiti, Senza braccioli
Contract, Hotel / Ristorazione, Abitazione

United States
Today poetic design is based on a plethora of complex criteria: human experience, social behaviors, global, economic and political issues, physical and mental interaction, form, vision, and a rigorous understanding and desire for contemporary culture. Manufacturing is based on another collective group of criteria: capital investment, market share, production ease, dissemination, growth, distribution, maintenance, service, performance, quality, ecological issues and sustainability. The combination of these factors shape our objects, inform our forms, our physical space, visual culture and our contemporary human experience. These quantitative constructs shape business, identity, brand and value. This is the business of beauty. Every business should be completely concerned with beauty - it is after all a collective human need. I believe that we could be living in an entirely different world - one that is full of real contemporary inspiring objects, spaces, places, worlds, spirits and experiences. Design has been the cultural shaper of our world from the start. We have designed systems, cities, and commodities. We have addressed the world’s problems. Now design is not about solving problems, but about a rigorous beautification of our built environments. Design is about the betterment of our lives poetically, aesthetically, experientially, sensorially, and emotionally. My real desire is to see people live in the modus of our time, to participate in the contemporary world, and to release themselves from nostalgia, antiquated traditions, old rituals, kitsch and the meaningless. We should be conscious and attune with this world in this moment. If human nature is to live in the past - to change the world is to change human nature.