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Trestle table 200x90
- Maison/Tables de repas/
Trestle table 200x90
À propos de ce produit
Architonic ID: 20778149
SKU: TRMESCRO
Année de Lancement: 2014
1- Stained solid oak, solid beech legs and metal legs lacquered with the finishes of our collection.
2- Beam in calibrated powder coated tube in thermoreinforced polyester in graphite grey (RAL9007).
3- The table top is available in two different finishes and widths (90 cm | 35.4" and 120 cm | 47.2"):
- 30 mm | 1.2" MDF board with a natural oak veneer polished in matt, bleached, cognac, walnut or ash. Also available in micro-textured lacquer in white, black or taupe.
- High pressure HPL laminate in black or white on a 30 mm |1.2" thick MDF board with stained edges in transparent.
*Available in three heights: 74 cm | 29.1", 88 cm | 34.6" and 105 cm | 41.3".
Dimensions:
W: 200 cm | 78.7"
D: 90 cm | 35.4"
Concept
L’habituelle élégance de Pawson nous surprend une fois de plus avec cette table infinie et ce banc aux proportions exquises. Des pieds en chêne massif et un siège subtil, tapisserie lisse ou capitonnée dans notre collection de tissus et cuirs.
Idéal aussi bien pour le foyer dans sa version courte que pour les zones d’attente et les couloirs aux installations élégantes.
Panneau en MDF recouvert en chêne naturel poli mat, cognac, cendres ou wengé ou laquage micro-texturisé noir, blanc, couleur sable ou fumée. Poutre en acier calibré laqué en polyester thermo durci.
Pattes en bois de chêne massif.
Ce produit appartient à la collection:
Spécifications du produit
Material
Piétement métal, Métal, Chêne, Plateau de table bois massif, Bois
Distributeurs
Créateurs
John Pawson
United Kingdom
John Pawson was born in 1949 in Halifax, Yorkshire. After a period in the family textile business he left for Japan, spending several years teaching English at the business university of Nagoya. Towards the end of his time there he moved to Tokyo, where he visited the studio of Japanese architect and designer Shiro Kuramata. Following his return to England, he enrolled at the Architecture Association in London, leaving to establish his own practice in 1981. From the outset his work has focused on ways of approaching fundamental problems of space, proportion, light and materials, rather than on developing a set of stylistic mannerisms — themes Pawson also explored in his book Minimum, first published in 1996, which examines the notion of simplicity in art, architecture and design across a variety of historical and cultural contexts. Early commissions included homes for the writer Bruce Chatwin, opera director Pierre Audi and collector Doris Lockhart Saatchi, together with art galleries in London, Dublin and New York. Whilst private houses have remained a consistent strand of the work, subsequent projects have spanned a wide range of scales and building typologies, ranging from Calvin Klein Collection’s flagship store in Manhattan and airport lounges for Cathay Pacific in Hong Kong, to a condominium for Ian Schrager on New York’s Gramercy Park, the interior of a 50-metre yacht and sets for new ballets at London’s Royal Opera House and the Opéra Bastille in Paris. Over the years John Pawson has accrued extensive experience of the particular challenges of working within environments of historic, landscape and ecological significance. Key examples including the Sackler Crossing — a walkway over the lake at London’s Royal Botanic Gardens, Kew — the Cistercian Abbey of Our Lady of Nový Dvůr in Bohemia, the interior renovation of the basilica of the Benedictine Archabbey of Pannonhalma in Hungary and the remodelling of the former Commonwealth Institute in London, opened as a new permanent home for the Design Museum in 2016.