


Architonic ID: 1443294
Année de Lancement: 2016
Levya est une bibliothèque dont la structure est « grillagée », à partir d'une armature en acier soudé et vernis et dans un design linéaire et épuré. Sa silhouette simple et minimaliste évoque une idée de légèreté extrême, et la rend compatible avec toutes les ambiances.
Elle s'installe librement soit en aplomb d'un mur soit en appui au sol.
Parfaitement à sa place dans les séjours contemporains, elle est tout aussi idéale dans les ambiances de style industriel ou peut constituer un élément inattendu dans un décor plus classique.
Fabrication
Armature en acier vernis blanc ou gris de 10 mm de diamètre.
Étagère du meuble en tôle de 1,5 mm, structure interne de 5 mm.
Dimensions
Table base cube: 44 x 43 x 43 cm / Table base carrée: 88 x 88 x 18 cm
Grande table basse: 70 x 138 x 18 cm
Bibliothèque debout: H210cm, W150cm, D30cm
Bibliothéque murale: H150cm, W150cm, D30cm
Concept
Leyva is a collection of bookcases and coffee tables in coated and soldered tubular iron with a clean-cut and essential silhouette. Its willowy minimal contours conjure up an airy lightness. The bookcase can be wall-mounted or free-standing and it can easily blend into any setting.
Perfect for modern settings and a seamless solution for industrial surrounds, it could also bestow an unexpected twist on more classical décor.
Métal, Structure métal
Tissu
Painted iron rod

Italy
Giuseppe Viganò began his career in the field of interior design by working for prestigious showrooms in the Brianza area. His skills quickly led him to become an art director, taking on responsibilities such as organizing retail spaces, selecting products, designing displays, and managing staff. It was through this experience that Viganò came to understand the tastes, needs, and preferences of clients, allowing him to shape his own vision of design. In 1988, he began working independently, and in 2012, he founded Studio Viganò in Lissone, in the province of Monza-Brianza. Viganò's work spans various areas of design—not limited to furniture design alone, but also extending to concept development, communication, temporary installations, and interior design. From his early work experiences, Viganò developed a keen ability to observe and draw inspiration from his surroundings. In an interview, he stated: “Everything that strikes me is, in some way, a source of inspiration for me. Every form of art is included in this: from architecture to literature, from fashion to music. After all, isn’t design an act of poetry?” A passionate admirer of the visual arts, Viganò sees the use of new materials as an opportunity—a moment for knowledge and creative exploration. According to Viganò, a good industrial design project must be based on three principles: Affinity – the object should reflect the personality of the buyer. Functionality – the object must meet the needs of the user and be designed to provide a solution. Cost – it should be consistent with what is being offered. His style can be described as eclectic, always attentive to societal changes and focused on addressing the needs of contemporary living. From this perspective, he leads his team in seeking formal and functional responses to collective needs, creating elegant yet never conventional objects and environments. Viganò has many ongoing collaborations, both in exhibit design—often featured at the Salone del Mobile in Milan—and in product development. Notable brands he has worked with include: Poliform, Arflex, Bonacina Pierantonio, Bonaldo, Visionnaire, Arketipo, CIA International, Cogliati & Cogliati, Confalonieri, Matteo Grassi, Emmemobili, Estel, F.lli Longhi, Frighetto, Gamma International, Horus, Ivano Redaelli, Lema, Minotti, MisuraEmme, Porada, Saba Italia, Rivolta, Tappeti Artexa, Tisettanta, Turri, LiuJo Living Collection, YDF, Reflex, Twils, MEMEDESIGN, and Morelato. His Ellipses chair, designed for Bonacina Pierantonio, was nominated for the ADI INDEX 2010 selection for the prestigious Compasso d'Oro ADI Award.