Partager
Imprimer
1/23
Primo S-062
Ce produit n'est plus disponible. Pour toute information concernant l'entretien ou pour plus d'informations, veuillez contacter
À propos de ce produit
Architonic ID: 1546524
Année de Lancement: 2017
A chair that is a sculpture that is a jewel in the room… It also offers the greatest comfort and now, with a new wooden stand, Primo appears to be even more of a classic.
Chair. Frame of oak or ash. Optional stained finish.
The chair is available with a low or high back.
“A wooden frame seemed to be an obvious choice in terms of giving the chair a more classic expression. The wooden frame also bears witness to craftsmanship that is the perfect complement to the sculpted seat shell and the expertly crafted cover. ” /Stefan Borselius, designer
Concept
« Je voulais faire une chaise aussi confortable qu’esthétiquement attrayante. Coutures apparentes et angles vifs côtoient des formes rondes. La partie arrière est aussi importante que la face avant. »
« Je voulais créer une chaise de conférence solide tout en étant économique. Une coquille d’assise confortable, à différentes hauteurs, sur laquelle le corps épouse les formes arrondies de la chaise. Ceci marque un contraste avec les coutures, lignes et angles distincts du design extérieur. »
Chaise. Chaise à accoudoirs.
Piétement pivotant sur roulettes, en aluminium poli issu du recyclage.
Ce modèle est également disponible avec dossier haut et fonction de réglage en hauteur avec bascule.
Ce produit appartient à la collection:
Spécifications du produit
Material
Piétement bois massif, Bois
Fichiers de conception
3
Distributeurs
Créateurs
Stefan Borselius
Sweden
born 1974 in Malmö. Educated at the Konstfack University College of Arts, Crafts and Design. He attended Carl Malmstens school and Steneby school, and studied furniture carpentry and design. Stefan Borselius is an ingenious designer with a head bursting with ideas. He can be quiet and thoughtful, but when he speaks out he’s quite the verbal gymnast, an art he balances with being an equally inventive and an aesthetically pleasing designer. Stefan’s choice of career was inspired by his grandfather and great grandfather who were both skilled furniture carpenters. Stefan prefers to call himself a carpenter, and he believes that hands, thoughts and precision are all important tools of his occupation. Right from the function and material of an object through to the final product, Stefan wants to create furniture for our time and our way of living, our here and our now. When he works with a product, Stefan Borselius leaves nothing to chance, but goes methodically and whole- heartedly through every single detail, every function and every characteristic which a material or a technique can offer. He pushes the boundaries of what is possible to produce, and would rather give up and pursue another route than not produce anything at all. He leaves no stone unturned in his quest for a solution. As a result, his products have a strong sense of identity which already answer unasked questions in their strong expressionism.