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Architonic ID: 1011189
Année de Lancement: 1965
Conçu en 1965, le fauteuil Dezza résume certains des principes de design les plus importants de Gio Ponti, tant d’un point de vue formel, comme le pied avec section triangulaire effilée caractéristique, que d’un point de vue méthodologique, pour sa modularité « système » révolutionnaire grâce à un nombre limité de pièces à assembler. Le canapé et les fauteuils Dezza, commodes, confortables, légers et faciles à adapter, sont proposés dans une réédition soignée qui met en valeur leur beauté formelle et leur style unique. La structure portante est en hêtre sec. Le fauteuil 12 possède des accoudoirs minces qui permettent de combiner deux ou plusieurs éléments. Le fauteuil 48 est équipé d’un appui-tête en plumes d’oie intégré dans le dossier. Le revêtement est entièrement en cuir Pelle Frau®, ou bien en cuir Pelle Frau® pour la coque et en Cavallino pour le coussin d’assise et le dossier. Un large choix de finitions pour les pieds : en plus du bois laqué noir ou blanc, il est également possible de choisir le bleu Ponti ou le vert Ponti ou encore le Noyer Canaletto.
Concept
Dessiné en 1965. Dezza est pratique, confortable, léger et très adaptable. Cette réédition soignée en exalte la beauté des formes et le style unique. Pieds en frêne naturel laqué en blanc ou noir à pore ouvert. Revêtement en cuir Pelle Frau® ou en cuir « façon Poulain » ou en cuir et en tissu non déhoussable. Le fauteuil 12 a des accoudoirs très minces ce qui permet de juxtaposer deux ou plusieurs fauteuils. Le fauteuil 48 est équipé d’un appui-tête rembourré de plumes d’oie, intégré au dossier.
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Habitat

Italy
Gio Ponti was an icon of the modernist movement: the Italian designer, architect, artist and publisher contributed significantly to the worlds of architecture and design with his extensive work in fine furniture and ceramics, education, office and residential buildings, and everything in between. He is considered by many to be the father of modern Italian design. Gio Ponti: a biography Giovanni, known was Gio, Ponti was born in 1891 in Milan. It was there that he spent his childhood, and in 1921 he began to study architecture at the Politecnico di Milano. From 1923 to 1930 he served as the artistic director of the Richard-Ginori porcelain factory. In 1927, Ponti started his first architectural office, together with Emilio Lancia, and in 1928 he started the magazine Domus, which is still regarded as one of the most influential European magazines for architecture and design. He was also very influential during the period as a curator of the Milan Triennale. After his collaboration with Emilio Lancia had come to and end, upon completion of the Torre Rasini, he began to work as an architect together with the engineers Antonio Fornaroli and Eugenio Soncini. It was during this period that Ponti designed many of his most famous buildings, such as the Institute of Mathematics of the University of Rome, the Primo Palazzo Montecatini, the Casa Marmont and Villa Donegani in Bordighera. The most well-known of his architectural works is the Pirelli Tower, which Gio Ponti completed in his hometown of Milan in 1956. He continued to work well into his eighties, completing such impressive works as the Concattedrale Gran Madre di Dio in Taranto and the Denver Art Museum. Gio Ponti died in Milan on 16 September, 1979 having produced countless pieces of furniture, ceramics and thousands of other objects throughout his life. The Superleggera Chair by Gio Ponti In 1957, Gio Ponti designed his most famous piece of furniture, the Superleggera chair, for the manufacturer Cassina. The ‘ultra-light’ chair was an update on the traditional chairs that were produced in the Ligurian factory. They continue to be in great demand due to their simplicity and functionality, and to this day, the Superleggera chair with its sleek, understated shape is one of the most common chairs found in Italian restaurants. Gio Ponti’s Coffee Tables and Other Furniture In 1931, Ponti became artistic director of the design manufacturer FontanaArte, going on to design numerous objects for the company. Among the furniture pieces Ponti created were coffee tables such as the Tavolino 1932 coffee table, as well as many lamps, such as the Pirellone, the Pirellina, and Bilia lamps. Gio Ponti: architecture and design philosophy Ponti’s architecture and design embodied the Italian dolce vita. Influenced by his early work in ceramics, Ponti took responsibility for the design of every aspect of his buildings, including their interior design, lighting, and even glass and silverware. Gio Ponti broke through borders and traditions, choosing instead an interdisciplinary approach which combined design, art, craft and architecture. His fascination for a wide range of styles is evident from his designs for a wide variety of manufacturers, including Cassina and FontanaArte. © by Architonic