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Slope - 0260
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Slope - 0260
À propos de ce produit
Architonic ID: 20082987
SKU: 20129 - 0260
Année de Lancement: 2019
Production method: Hand woven
Production time: 6- 9 weeks
Composition: 100% tibetan wool
Width: 80- 450 cm (2' 7 ½"- 14' 9")
Length: 80- 1,000 cm (2' 7 ½"- 32' 9 ½")
Weight: 2,000 g/m² (6.55 oz/sq ft)
Standard sizes:
180cm×240cm (70¾"×94½"),
200cm×300cm (78¾"×118"), 244cm×305cm (96"×120"),
250cm×350cm (981/2"×1373/4"), 300cm x 400cm (118"x157½")
Traffic:
Suitable for medium to heavy residential and commercial use
with exceptions of stairways, corridors or with the use of castors.
Concept
Slope is a high quality Tibetan wool rug characterised by a dynamic colour bleed at the sides. In an earthy palette ranging from brown and golden to autumnal red, dove gray, and green, the design is created using a process described by Hella Jongerius as a ‘tye-dye woven construction’.
This complex ikat-technique involves dyeing tightly wrapped bundles of yarn by hand so that the pattern is created in the yarn itself. Dyed yarns are then meticulously aligned on a loom by a master weaver in order to render Slope’s precisely blended quality.
The irregularities created by this handcrafted approach are perfectly balanced in the design by a clear graphic stripe across the ecru base. Finished with a single festoon edge on the top and bottom of the rug and a double festoon on both sides, Slope is a contemporary take on a traditional flatwoven kelim. It is ideal for both the home and light traffic contract spaces.
Ce produit appartient à la collection:
Spécifications du produit
Color
Couleur multicolore
Material
Tissu mélangé, Tissu
Variantes de produits
6
Vous pouvez visiter la page produit de ces variantes : cliquez simplement dessus !
Fichiers de conception
10
Distributeurs
Créateurs
Hella Jongerius
Netherlands
Hella Jongerius’s research on colours, materials, and textures is never complete. All her questions are open-ended, and all her answers provisional, taking the form of finished and semi-finished products. These are part of a never-ending process, and the same is essentially true of all Jongeriuslab designs: they possess the power of the final stage, while also communicating that they are part of something greater, with both a past and an uncertain future. The unfinished, the provisional, the possible – they hide in the attention for imperfections, traces of the creation process, and the revealed potential of materials and techniques. Through this working method, Jongerius not only celebrates the value of the process, but also engages the viewer, the user, in her investigation.
