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Multitone - 0375
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Ce produit fait partie de notre catalogue de référence.
Les demandes supplémentaires sont réservées aux marques partenaires d'Architonic.
- Maison/Tapis / Tapis de designers/
Multitone - 0375
À propos de ce produit
Architonic ID: 1451465
SKU: 20124 - 0375
Année de Lancement: 2014
Production method: Hand woven
Production time: 6- 9 weeks
Composition: 100% pure New Zealand wool
Length of fringes: approx. 700 cm (275 ½")
Width:80- 300 cm (2' 7 ½"- 9' 10")
Length: 80- 500 cm (2' 7 ½"- 16' 5")
Weight: 1,600 g/m² (5.24 oz/sq ft)
Standard size without fringes:
130cm×170cm (51¼"×67"),
200cm×300cm (78¾"×118"),
250cm×350cm (981/2"×1373/4")
Traffic:
Suitable for medium to heavy residential and commercial use
with exceptions of stairways, corridors or with the use of castors.
Concept
Multitone started life as a colour blanket, an evolution of the Duotone rug. The result was so good that a rug was created based on the concept too.
Taking the same basic construction as the Duotone rug, Multitone is made by weaving in multiple colours for a statement rug that energizes a space with its mesmerising pattern.
The rug is made using a simple flat-woven basket construction. The different thicknesses of the yarns and the contrasting colours lend the rug extra surface interest. It is hand woven by skilled weavers from India using New Zealand wool.
Ce produit appartient à la collection:
Spécifications du produit
Color
Couleur brun, Couleur vert, Couleur multicolore
Material
Matières naturelles, Laine vierge
Variantes de produits
1
Vous pouvez visiter la page produit de ces variantes : cliquez simplement dessus !
Fichiers de conception
10
Distributeurs
Créateurs
Hella Jongerius
Netherlands
Hella Jongerius’s research on colours, materials, and textures is never complete. All her questions are open-ended, and all her answers provisional, taking the form of finished and semi-finished products. These are part of a never-ending process, and the same is essentially true of all Jongeriuslab designs: they possess the power of the final stage, while also communicating that they are part of something greater, with both a past and an uncertain future. The unfinished, the provisional, the possible – they hide in the attention for imperfections, traces of the creation process, and the revealed potential of materials and techniques. Through this working method, Jongerius not only celebrates the value of the process, but also engages the viewer, the user, in her investigation.
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