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Architonic ID: 1000418
Année de Lancement: 2001
Size: W 85cm x D 76cm x H 68cm
Seat height: 37cm
Concept
CONCEPT
In no other design of his is Finn Juhl’s fascination for surrealism more apparent than in the Pelican Chair. Out of all of his many designs, the Pelican Chair was probably the one furthest ahead of its time. When it was presented at the Copenhagen Cabinetmakers’ Guild Exhibition in 1940, it stood out with its unusual shape and sturdy legs. Finn Juhl normally named his furniture numbers after the year in which they were designed, but over time the nickname "Pelican" stuck to the chair.
Very few were manufactured and the chair was almost forgotten until we rediscovered and relaunched the chair in 2001. The characteristic soft and organic shape is almost like a body holding a body. When you sit down, the chair practically gives you a friendly hug. Like many of Finn Juhl’s later designs, the chair offers several comfortable ways to sit.
The sculptural chair fits seamlessly into most modern interior styles and works particularly well with the Pelican Table and its close relative, the Poet Sofa from 1941.
The Pelican Chair is produced in two versions- with or without buttons. It is manufactured with a cushion and a handsewn upholstery in fabric or leather. The legs are available in oak, walnut and black painted.
Ce produit appartient à la collection:
Piétement bois massif, Bois

Denmark
The Danish designer, architect, and interior architect Finn Juhl is today primarily known for his furniture designs, despite his contributions to all three fields. He is one of the most prominent Scandinavian furniture designers, and, along with Arne Jacobsen, one of the most important representatives of Danish design. Finn Juhl: a biography Finn Juhl was born 30 January 1912 in Frederiksberg. Under pressure from his father, he went to study architecture at the Royal Danish Academy of Fine Arts in Copenhagen from 1930 to 1934. Subsequently, he worked with the renowned architect Vilhelm Lauritzen, who himself contributed significantly to Danish architectural modernism. Juhl then began to teach interior design at his alma mater in Copenhagen, and soon after that founded his first design studio. In the 1940s, he also taught at the Frederiksberg Technical School and so began to influence the next generation of designers through his tutelage. In 1942, Juhl designed a house for himself, which is still known simply as Finn Juhl's House. In 1951, Juhl made his debut in the United States at the Good Design Show in Chicago and also at the Museum of Modern Art in New York. In both 1954 and 1957, he received significant recognition for work he exhibted at the Milan Triennale. He was then given the task of designing several pieces of furniture for the Danish Embassy in Washington, D.C. and for the offices and aircraft interiors of Scandinavian Airlines. During the 1950s, Juhl was appointed the interior architect of the Trusteeship Council Chamber inside the New York headquarters of the United Nations, where he designed the chairs for the organisation's deputies. Other well-known designs by Juhl include a porcelain dinner set for Denmark's Bing & Grondahl, refrigerators for General Electric, and glassware for Georg Jensen. Finn Juhl: Poet Sofa The Poet Sofa was designed by Finn Juhl for his own house in 1941; Juhl designed the sofa along curving organic lines, with armrests which seem to softly embrace the sitter. The hand-stitched sofa became a design classic in the 1950s, when it was discovered in America during the Scandinavian design craze. Finn Juhl: 45 Chair Designed in 1945, the 45 Chair by Finn Juhl signified a break with existing traditions in chair design. The main feature of the design is the freeing of the seat and the backrest from the frame of the chair itself. The result is a simple, elegant and remarkable chair which brought Juhl enormous recognition, making him world-renowned and helping to popularise Danish design the world over. © by Architonic