


Architonic ID: 20750747
Année de Lancement: 2023
RIME- Material: high performance technical yarn, anti bacterial, anallergic, anti-static, resistant to fungi and mould- Structure: braded and hand stitched- Thickess: 7 mm- Colour: 02
Concept
Dove utilizzarlo. Disponibile in diverse tonalità, Rime si compone di elementi modulari che si adattano alle necessità di qualsiasi progetto, sia esso indoor, outdoor o contract, grazie alle sue forme organiche che si accostano e replicano armoniosamente come le piante.
The story of Rime. Designed for modern spaces where interiors and exteriors blend and succeed each other, Rime recalls the soft and prefect silhouettes of fern leaves. Soft strips of fabric alternate freely, inspired by the spontaneous poetry of nature- poetry from which the collection also takes its name. Just as rhymes in poetry, these rugs are designed to repeat their shape in space, giving rise to new forms and unique compositions.
Original and bespoke. Made with a hand-braided technical yarn, Rime summarizes all the optimal characteristics for an outdoor rug: it is developed to withstand wear, especially UV rays, bacterial contamination, and to be stain-resistant. Furthermore, thanks to the use of the highest quality materials, Rime rugs are also fully recyclable at the end of their life.
Where to use it. Available in different shades and shapes, Rime consists of modular elements that can be adapted to the needs of any project, whether indoor, outdoor or contract.
Ce produit appartient à la collection:
Dimensions personnalisées
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Italy
Deanna Comellini spent her formative years in the artistic environment of Bologna during the 70’s following art studies (DAMS). In 1974, she entered the world of design, starting to work for the Bolognese company CASTELLI. Her first collection of décor complements was presented by Maddalena Da Padova in the historic Space of Corso Venezia, Milan in 1977, the year in which Deanna founded the company G.T.DESIGN, for which she is designer and art director. Initially she worked on materials and shapes with high technological results, but her projectual research would transform into a productive philosophy. During the 80’s, the will to discover, explore, and salvage traditional techniques of various international cultures brought her to think and work on a concept of “imperfect design”. Her curiosity, free from boundaries, has led to the creation of an encounter between artisanal knowledge and project culture. Her emphasis on hand-made, natural materials, colour and elementary forms, led to her creating a new genre in the 90s, reinventing the presence of textiles in interior design. Today her project research focuses on the contemporary carpet, intended as an essential element of interior architecture and design.