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Luoghi Due Dune
Variantes disponibles :
- Maison/Tapis / Tapis de designers/
Luoghi Due Dune
À propos de ce produit
Architonic ID: 20750734
Année de Lancement: 2023
LUOGHI- Material: pure high quality New Zealand wool- Structure: hand woven on traditional looms and handpainted- Thickness: 5 mm- Colour: Dune
Concept
The story of Luoghi Due. Lightness and warmth are the dominant feature of this collection of wool rugs that combine technology and the highest Italian craftsmanship. Completely hand-painted on both sides, they combine the durability of the wools with the uniqueness of the colors, making each element a unique and unrepeatable piece.
Original and bespoke. Mild rugs that are inspired by time-worn surfaces, bring an element of memory to the most sophisticated interior designs. Hand-stitching and the modularity of individual elements help the designer to shape these textile paintings, which combine elegance and practicality and bring unique atmospheres to the environments that welcome them. The colorful stitchings, distinctive sign of the collection Luoghi Due, are customizable on the client's request choosing between three different shades.
Where to use them. Soft and durable, these customizable rugs, even on large sizes, are ideal for offering protection and relief from "hard" stone, concrete and brick floors. Combined with a special non-slip mat that increases their comfort and pleasantness, they find their ideal match in large and small sleeping and living areas.
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9
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Créateurs
Deanna Comellini
Italy
Deanna Comellini spent her formative years in the artistic environment of Bologna during the 70’s following art studies (DAMS). In 1974, she entered the world of design, starting to work for the Bolognese company CASTELLI. Her first collection of décor complements was presented by Maddalena Da Padova in the historic Space of Corso Venezia, Milan in 1977, the year in which Deanna founded the company G.T.DESIGN, for which she is designer and art director. Initially she worked on materials and shapes with high technological results, but her projectual research would transform into a productive philosophy. During the 80’s, the will to discover, explore, and salvage traditional techniques of various international cultures brought her to think and work on a concept of “imperfect design”. Her curiosity, free from boundaries, has led to the creation of an encounter between artisanal knowledge and project culture. Her emphasis on hand-made, natural materials, colour and elementary forms, led to her creating a new genre in the 90s, reinventing the presence of textiles in interior design. Today her project research focuses on the contemporary carpet, intended as an essential element of interior architecture and design.