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Kama Allegro con Brio Blu Notte
Variantes disponibles :
- Maison/Tapis / Tapis de designers/
Kama Allegro con Brio Blu Notte
À propos de ce produit
Architonic ID: 20251246
Année de Lancement: 2021
KAMA- Material: high quality viscose- Structure: hand woven on traditional looms- Thickness: 15-10 mm- Colour: Blu Notte
Concept
Kama Allegro con Brio is a limited edition rug with a sumptuous and wild hand-woven weave in viscose fiber. This contemporary design is part of a capsule collection ‘Kama 20|21’ created to celebrate Kama rug’s twentieth anniversary.
Deanna Comellini, driven by the artistic freedom of her creative process, updated the bestseller rug’s original style by playing with the reflective properties of the weave. She introduced textures that create fascinating lights effects, and vibrant, magnetic colors to the iconic collection.
The designer Deanna Comellini wanted to underline the entry of Kama among the icons of contemporary design as a modern classic, by playing with the names of the 2 new models of the capsule collection. The name Kama Allegro con Brio is in fact an explicit reference to classicism and the heritage of Italian culture through classical music, a symbol of elegance, precision, creative genius and dynamism.
Ce produit appartient à la collection:
Spécifications du produit
Dimension
Dimensions personnalisées
Variantes de produits
6
Vous pouvez visiter la page produit de ces variantes : cliquez simplement dessus !
Téléchargements
2
Explorez la collection de catalogues de G.T.DESIGN.
Distributeurs
Créateurs
Deanna Comellini
Italy
Deanna Comellini spent her formative years in the artistic environment of Bologna during the 70’s following art studies (DAMS). In 1974, she entered the world of design, starting to work for the Bolognese company CASTELLI. Her first collection of décor complements was presented by Maddalena Da Padova in the historic Space of Corso Venezia, Milan in 1977, the year in which Deanna founded the company G.T.DESIGN, for which she is designer and art director. Initially she worked on materials and shapes with high technological results, but her projectual research would transform into a productive philosophy. During the 80’s, the will to discover, explore, and salvage traditional techniques of various international cultures brought her to think and work on a concept of “imperfect design”. Her curiosity, free from boundaries, has led to the creation of an encounter between artisanal knowledge and project culture. Her emphasis on hand-made, natural materials, colour and elementary forms, led to her creating a new genre in the 90s, reinventing the presence of textiles in interior design. Today her project research focuses on the contemporary carpet, intended as an essential element of interior architecture and design.