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Architonic ID: 20153804
Année de Lancement: 2020
Freedom, un droit fondamental dans le design et ailleurs.
Nous vivons dans une époque où la liberté est plus que jamais au cœur des discussions. Où nous avons la possibilité de nous exprimer, de choisir, de vivre la vie que nous voulons sans devoir nous justifier. La liberté est ce que nous souhaitons aux niveaux psychologique, spirituel et physique.
C’est pourquoi notre dernier design de Giuseppe Viganó est la manifestation de cette liberté. Nous ne devons jamais être limités dans ce que nous pouvons réaliser dans la décoration intérieure et dans la manière dont nous interagissons physiquement avec les objets qui remplissent nos vies.
Ce design libère des concepts qui ne nécessitent aucune explication; un dossier profond, une assise en forme de diamant, une structure de support métallique qui élève et propose des lignes amples et douces. Freedom, dans le nom et dans sa nature.
Concept
Freedom est un fauteuil au dossier bas et à l'assise en forme de diamant, dont la structure métallique soutient les lignes douces et fluides. Disponible dans différents types de revêtement et avec une structure métallique dans différentes finitions.
Ce produit appartient à la collection:
Piétement métal, Métal
Vous pouvez visiter la page produit de ces variantes : cliquez simplement dessus !

Italy
Giuseppe Viganò began his career in the field of interior design by working for prestigious showrooms in the Brianza area. His skills quickly led him to become an art director, taking on responsibilities such as organizing retail spaces, selecting products, designing displays, and managing staff. It was through this experience that Viganò came to understand the tastes, needs, and preferences of clients, allowing him to shape his own vision of design. In 1988, he began working independently, and in 2012, he founded Studio Viganò in Lissone, in the province of Monza-Brianza. Viganò's work spans various areas of design—not limited to furniture design alone, but also extending to concept development, communication, temporary installations, and interior design. From his early work experiences, Viganò developed a keen ability to observe and draw inspiration from his surroundings. In an interview, he stated: “Everything that strikes me is, in some way, a source of inspiration for me. Every form of art is included in this: from architecture to literature, from fashion to music. After all, isn’t design an act of poetry?” A passionate admirer of the visual arts, Viganò sees the use of new materials as an opportunity—a moment for knowledge and creative exploration. According to Viganò, a good industrial design project must be based on three principles: Affinity – the object should reflect the personality of the buyer. Functionality – the object must meet the needs of the user and be designed to provide a solution. Cost – it should be consistent with what is being offered. His style can be described as eclectic, always attentive to societal changes and focused on addressing the needs of contemporary living. From this perspective, he leads his team in seeking formal and functional responses to collective needs, creating elegant yet never conventional objects and environments. Viganò has many ongoing collaborations, both in exhibit design—often featured at the Salone del Mobile in Milan—and in product development. Notable brands he has worked with include: Poliform, Arflex, Bonacina Pierantonio, Bonaldo, Visionnaire, Arketipo, CIA International, Cogliati & Cogliati, Confalonieri, Matteo Grassi, Emmemobili, Estel, F.lli Longhi, Frighetto, Gamma International, Horus, Ivano Redaelli, Lema, Minotti, MisuraEmme, Porada, Saba Italia, Rivolta, Tappeti Artexa, Tisettanta, Turri, LiuJo Living Collection, YDF, Reflex, Twils, MEMEDESIGN, and Morelato. His Ellipses chair, designed for Bonacina Pierantonio, was nominated for the ADI INDEX 2010 selection for the prestigious Compasso d'Oro ADI Award.