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Architonic ID: 1383677
Année de Lancement: 2016
Concept
Le petit fauteuil Do-Maru tire son nom des armures anciennes des samouraï, réalisées avec des plaques rigides de cuir verni et décoré, qui enveloppaient et protégeaient le corps des guerriers. Comme ce fut déjà la cas pour le fauteuil pivotant Almora, dessiné par Doshi-Levien en 2014, la coque de l’assise est obtenue par la superposition de deux coques, adoucies par deux rembourrages pouvant être recouverts de tissu ou de cuir. Le dossier, en fusion d’aluminium, souligne, tel un tronçon vigoureux, la ligne conique du petit fauteuil, tandis que le support avant est en tube métallique avec des finitions vernies chromées en noir et étain, assorties aux couleurs de la coque: blanc, noir et gris tourterelle.
Ce produit appartient à la collection:
Aluminium, Piétement métal, Cuir, Métal, Assise cuir

United Kingdom
Doshi Levien was founded by the designers Nipa Doshi and Jonathan Levien, who met at the Royal College of Art. The London-based studio is internationally renowned for its marriage of culture, technology, industrial design and fine craftsmanship. Nipa grew up in India and studied at the National Institute of Design, founded on the manifesto by Charles and Ray Eames; Jonathan trained in fine cabinet making followed by industrial design. Together, they strive to create work that transcends rational and functional qualities, to imbue a sense of true inner beauty in their projects. Nipa’s practice is rooted in her plural upbringing and astute eye for visual culture; and Jonathan’s in industrial precision, combined with the sensibility of a maker’s hand and deep understanding of materials. The layering of research, materiality, and the tactility of their design process – painting, sculpting, colour making – result in work that is distinguished by their clarity of ideas and seemingly effortless attention to detail. What makes Doshi Levien’s work so distinctive is not just their confident relationship to colour, material and form, but their ability to translate meticulous design ideas to the context of production. This has enabled them to work coherently across industries and categories, from colour to textiles, footwear to lighting, furniture to ceramics, often bringing their understanding of one process to their work on another. The duo have created works for leading manufacturers (B&B Italia, Moroso, Kvadrat, Kettal, Cappellini…), for prestigious international museums and cultural institutions (notably Sevres – Cité de la Céramique), and for their Paris-based gallery: Galerie Kreo.