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Contract Table
Architonic ID: 1019079
Année de Lancement: 1950
Table ronde
Piètement en aluminium injecté et tube d’acier, plateau en matière synthétique teintée ou laqué blanc
740 × Ø 800/700 mm
Concept
Les Eames Contract Tables ont été créées en 1958, en même temps que les sièges de l’Aluminium Group, et reprennent leur piètement cruciforme. Les tables faisaient partie d’un programme de meubles haut de gamme que Charles et Ray Eames avaient conçus comme meubles d’extérieur. Les Contract Tables sont caractérisées par des piètements à utilisation universelle : piètement à colonne, piètement en T, piètement universel et piètement La Fonda. Ils se combinent avec des plateaux ronds ou rectangulaires. Finitions des tables en stratifié ou placage bois. La table basse avec piètement La Fonda existe en version marbre blanc.
La collection des Eames Tables comprend deux lignes de produits distinctes: les Contract Tables (1950) et les Segmented Tables (1964). Elles comprennent toutes deux des tables complètes aux dimensions définies. Le principe de construction de la Segmented Table permet, par ailleurs, de réaliser des configurations de tables individuelles aux formes et dimensions variées. La conception des piètements rappelle le langage formel de l’Aluminium Group, mais elle s’harmonise également avec un large éventail d’autres chaises.
Eames Tables Caractéristiques de la gamme Plateaux : surface en stratifié blanc avec chant en matière synthétique basic dark. Surface avec placage de bois en hêtre naturel ou alisier, avec chant en bois massif. Table ronde La Fonda avec surface en pierre naturelle en marbre blanc. En option, autres coloris de finitions et placages sur présentation d’un échantillon. Piètements en aluminium injecté, chromé, poli, colonnes et traverses en acier, basic dark ou chromé. Pieds équipés en série de patins à visser permettant de compenser les inégalités du sol jusqu’à 15 mm. Piètement segmented : tables rondes de 1 000 mm de diamètre minimum, tables rectangulaires et ovales en différentes tailles. Piètement en T : pour tables rectangulaires de 2 000 mm maximum. Piètement universel : pour tables rondes de 700 mm ou 900 mm de diamètre et tables carrées de 800 mm de côté. Piètement La Fonda : pour tables rondes de 650 mm de diamètre et 450 mm de hauteur.
Ce produit appartient à la collection:
Aluminium, Piétement métal, Matériau composite, Métal, Plateau revêtu / laminé

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United States
Charles and Ray Eames are two of the most important product designers of the 20th century. The celebrated duo experimented with plywood, fibreglass, steel wire and aluminium, creating some of the most popular mid-century classics, including the Lounge Chair and Ottoman, the Aluminium Group chairs, and the DSW Chair. Charles & Ray Eames: a biography Charles Eames was born in 1907 in St. Louis, USA, and studied architecture at the Washington University in St. Louis. In 1938, he continued his studies at the Cranbrook Academy of Art in Michigan. He later became the head of the Design Department. Beatrice Alexandra (Ray) Kaiser was born in 1912 in Sacramento, California. She studied painting at Bennett College in New York before she met Charles Eames at the Cranbrook Academy. They married in 1941. As designers, Ray and Charles Eames experimented with moulded plywood, and together with Finnish architect Eero Saarinen, they won the “Organic Design in Home Furnishings” competition in 1940. In 1946, the duo's work was exhibited at the Museum of Modern Art (MoMA) in New York. In addition to their prodigious furniture output, the pair had also designed the IBM-Pavilion at the 1964 New York World's Fair. In 1969, they participated at the Musée des Arts Decoratifs exhibition “Qu'est-ce que le design?” and MoMA presented a retrospective of their work in 1973, entitled “Furniture by Charles and Ray Eames.” Charles Eames died in 1978, while Ray Eames died in 1988. The Work of Charles & Ray Eames The duo's early work is associated with the moulded plywood technique pioneered by Alvar Aalto. In 1956, they designed the famous Lounge Chair and Ottoman – a contemporary version of a club chair. The seat offers unparalleled comfort and quality, combined with luxurious materials such as rosewood and leather. In 1958, the designers followed up with the Aluminium Group, a series of chair designs using cast aluminium and a wide variety of canvas and leather seats, available in different colours. The chairs were easily adaptable to both office and home environments. Charles and Ray Eames also worked extensively with steel wire, as well as fibreglass and plastic. Eames House The Eames House was built as the couple's house and studio in 1949 in the Pacific Palisades neighbourhood of Los Angeles. Built as a part of the Case Study Houses Program initiated by Arts & Architecture magazine, it is sometimes known as Case Study House Nr. 8. The architecture of the Eames House serves as a frame for an ever-changing mix-and-match interior, in which Eames furniture was often paired with exotic and primitive objects. Eames Chair The Eames Chair combines comfort with high design, and the multitude of available seats, bases and colours enables combinations such as Plastic Side Chair and Eames Armchair and Eames Rocking Chair. The chairs were originally made from fibreglass, but are now produced from moulded plastic (polypropylene) by the manufacturer Vitra. Eames Hang it all Originally designed as a children's wardrobe, Hang it all is made of white steel wire and colourful wooden spheres. A modular design, it can be repeated almost endlessly without losing the compositional harmony of the original unit. Plywood Group The concept behind the Plywood Group furniture series was that three-dimensionally moulded plywood could be designed to fit human anatomy. Additionally, plywood furniture is light and durable, if treated correctly. The LCW Eames Chair optimises the support for the seat and the backrest by fastening the components to the steel frame with rubber screws, an innovation pioneered by Charles and Ray Eames. © by Architonic