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Ademar Table
Architonic ID: 1311119
SKU: 3170
Année de Lancement: 2015
220 x 120 X H 75 noce cana
Concept
Dessiné par Giulio Iacchetti, Ademar sera présenté au public à l’occasion du salon du meuble 2015. Son nom, qui en lombard signifie “de grande noblesse”, fait allusion à un programme de tables aux dimensions généreuses, capable d’accueillir confortablement 8 personnes, et empreint de convivialité. La forme elliptique ou ronde du plateau permet à toutes les personnes réunies autour de la table de pouvoir se regarder dans les yeux et de dialoguer de façon conviviale.
Le plateau biseauté sur sa face antérieure crée un profil plus léger et de hauteur variable, qui rend difficilement perceptible sa véritable épaisseur. Les piétements, en chêne ou noyer canaletto, soutiennent le plateau dans une logique organique et avec une parfaire continuité conceptuelle.
Disponibles en différentes dimensions: 280 x 130 cm, 220 x 120 cm et diamètre 140 cm dans la version ronde. Ademar est proposé en version plateau en marbre, chêne, noyer canaletto et thermotraité.
Ce produit appartient à la collection:
Piétement bois massif, Plateau de table bois massif, Bois

Italy
Giulio Iacchetti, industrial designer since 1992, designs for many brands including Abet Laminati, Alessi, Artemide, Ceramiche Refin, Danese, Fontana Arte, Foscarini, Magis, Moleskine, Pandora design. The distinctive characteristics of his work is the research and definition of new object typologies, like the Moscardino, the biodegradable spoon/fork designed with Matteo Ragni and for which, in 2001, he has been awarded with Compasso d’Oro. In 2009 he was awarded the prize for innovation – Premio dei Premi – by the President of the Italian Republic for the Coop Eureka project, which brought the design in the large-scale retail trade. In May 2009 the Triennale di Milano held a solo exhibition entitled “Giulio Iacchetti. Disobedient objects “. In November 2012 he launches Internoitaliano, the “factory network” made up of many craftsmen labs with whom he signs and produces furniture and accessories inspired by the italian way of living. He had also pursued his personal research project into new design topics such as the symbol of cross from which came the exhibition titled Cruciale held by the Diocesan Museum, Basilica di Santo Stefano Rotondo in Rome and by Castello di Lombardia in Enna, Sicily. In 2014, he won his second Compasso d’Oro for the design of the manhole covers Sfera, designed with Matteo Ragni for Montini.