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Architonic ID: 1196523
Année de Lancement: 2011
A successful, thriving family that keeps on growing. Needs exist and customers exist, so we’re adding new products to cater for additional requests and make the Dundra family as complete as possible.
It all actually started with a sofa called Dunder 2010. A soft shape built up of cushions, covered buttons, extendable sections – it was friendly and inviting. Then we launched the first Dundra chair, bar stool and bar chair in 2011, and now we’re adding a stackable sofa, an armchair and a stackable stool.
Stackable stool, Frame of wood and steel. Padding of moulded CMHR polyurethane foam covered in fabric or leather. Steel frame in “green” chrome, Chrome III. Plastic feet
Seat height 450
Overall height 450
Overall width 450
Concept
Dundra is a seating series comprising chair, easy-chair and bar stool. Dundra is constructed around a chromed steel frame with moulded seats that are then upholstered. The covered button that is one of the hallmarks of this family of furnishings helps ensure that the backrest retains its intended shape. Dundra easy-chair is a great choice in, for example, lobbies, waiting rooms and lounges.
Stefan Borselius has designed the Dundra seating series – chair, easy-chair and bar stool. The gently rounded lines clearly show the series’ close kinship with Dunder sofa.
The brief called for a design that built on the thinking behind Dunder sofa to create a family of products comprising sofa, chair, easy-chair and bar stool. Ever since Blå Station was founded in 1986, one of the company’s basic ideas has been to create families of furnishings, using the same concept and components to produce different items of furniture.
Ce produit appartient à la collection:
Piétement métal, Métal

Sweden
born 1974 in Malmö. Educated at the Konstfack University College of Arts, Crafts and Design. He attended Carl Malmstens school and Steneby school, and studied furniture carpentry and design. Stefan Borselius is an ingenious designer with a head bursting with ideas. He can be quiet and thoughtful, but when he speaks out he’s quite the verbal gymnast, an art he balances with being an equally inventive and an aesthetically pleasing designer. Stefan’s choice of career was inspired by his grandfather and great grandfather who were both skilled furniture carpenters. Stefan prefers to call himself a carpenter, and he believes that hands, thoughts and precision are all important tools of his occupation. Right from the function and material of an object through to the final product, Stefan wants to create furniture for our time and our way of living, our here and our now. When he works with a product, Stefan Borselius leaves nothing to chance, but goes methodically and whole- heartedly through every single detail, every function and every characteristic which a material or a technique can offer. He pushes the boundaries of what is possible to produce, and would rather give up and pursue another route than not produce anything at all. He leaves no stone unturned in his quest for a solution. As a result, his products have a strong sense of identity which already answer unasked questions in their strong expressionism.