


Lune Dote ardesia
Architonic ID: 1503034
Année de Lancement: 2017
Pile composition
100% Sardinian Wool
Height
15mm
Technique
hand woven
Origin
Sardinia, Italy
Stock size
200x300cm
Lead time for custom sizes
2 months
Concept
GIO PONTI
Playful freshness and lively colours sign the collection of the great designer, master of composition and decoration.
The great harmony and sense of measure, born from the balance between design, shapes and colors are the hallmarks of the furnishing complements from the Gio Ponti collection. Tibetan wool and natural silk masterpieces that regale homes with the sober elegance imbued by the Milanese master into virtually all aspects of his twentieth-century projects. Decorations whose aura of timeless classics hark back to the many de ning moments of Ponti’s extraordinary artistic development. These include the “Labirinto” pattern, or the essential geometrically shaped patterns, and finally, another Ponti trademark are the free form, delicately woody, oral sprays known as “brushstrokes” which often decorated his letters. The still ongoing exchange with the Studio Ponti was the natural step of a process undertaken by those who believe in a project and are determined to go all the way, a natural choice coming from a company whose goal is to undermine lazy clichés and grapple with di cult challenges. And Ferid Amini does not hide his desire to approach some fragments of Ponti’s oeuvre, showing his extraordinary design skills, with the humbleness of the scholar, but also with the entrepreneur’s ambition to reinterpret them through unique carpets with inimitable designs.
DESIGN ICONS COLLECTION
Masters. While different with regard to generation, training, experience, and legacy, what unites them is a self-same project: a kind of unfettered, personal quest, indeed, a search for the discovery and development of a dynamic and multifaceted modernity. Masters without limiting their investigation, they have dabbled with all kinds of artistic and technical forms- painting, architecture, design, applied arts, publishing, film and photography. If Gio Ponti, still a 19th century man, was bent on outdoing himself with each passing decade in an all-consuming, playful and eye-catching display of genius, Joe Colombo, whom Ponti held in especially high esteem, was rather a personality who lacked any abiding connection with the past and that’s what makes his artistic visions so prophetic. True blue Milanesi like Ponti and Colombo are o set by small-town artists Ico Parisi and Manlio Rho, with ties to the rationalist movement in Como headed by Giuseppe Terragni. And yet their paths are well marked out, and highly original at that. Whereas Rho conceptualizes his own version of geometric abstraction embellishing it with nature’s colors, Parisi experiments with every aspect of the furnishing project seeking the key to integration with the world of the arts. Amini adopts today these Masters’ great legacy, presenting it with uttermost faithfulness to the originals in a ne collection of carpets.
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Italy
Gio Ponti was an icon of the modernist movement: the Italian designer, architect, artist and publisher contributed significantly to the worlds of architecture and design with his extensive work in fine furniture and ceramics, education, office and residential buildings, and everything in between. He is considered by many to be the father of modern Italian design. Gio Ponti: a biography Giovanni, known was Gio, Ponti was born in 1891 in Milan. It was there that he spent his childhood, and in 1921 he began to study architecture at the Politecnico di Milano. From 1923 to 1930 he served as the artistic director of the Richard-Ginori porcelain factory. In 1927, Ponti started his first architectural office, together with Emilio Lancia, and in 1928 he started the magazine Domus, which is still regarded as one of the most influential European magazines for architecture and design. He was also very influential during the period as a curator of the Milan Triennale. After his collaboration with Emilio Lancia had come to and end, upon completion of the Torre Rasini, he began to work as an architect together with the engineers Antonio Fornaroli and Eugenio Soncini. It was during this period that Ponti designed many of his most famous buildings, such as the Institute of Mathematics of the University of Rome, the Primo Palazzo Montecatini, the Casa Marmont and Villa Donegani in Bordighera. The most well-known of his architectural works is the Pirelli Tower, which Gio Ponti completed in his hometown of Milan in 1956. He continued to work well into his eighties, completing such impressive works as the Concattedrale Gran Madre di Dio in Taranto and the Denver Art Museum. Gio Ponti died in Milan on 16 September, 1979 having produced countless pieces of furniture, ceramics and thousands of other objects throughout his life. The Superleggera Chair by Gio Ponti In 1957, Gio Ponti designed his most famous piece of furniture, the Superleggera chair, for the manufacturer Cassina. The ‘ultra-light’ chair was an update on the traditional chairs that were produced in the Ligurian factory. They continue to be in great demand due to their simplicity and functionality, and to this day, the Superleggera chair with its sleek, understated shape is one of the most common chairs found in Italian restaurants. Gio Ponti’s Coffee Tables and Other Furniture In 1931, Ponti became artistic director of the design manufacturer FontanaArte, going on to design numerous objects for the company. Among the furniture pieces Ponti created were coffee tables such as the Tavolino 1932 coffee table, as well as many lamps, such as the Pirellone, the Pirellina, and Bilia lamps. Gio Ponti: architecture and design philosophy Ponti’s architecture and design embodied the Italian dolce vita. Influenced by his early work in ceramics, Ponti took responsibility for the design of every aspect of his buildings, including their interior design, lighting, and even glass and silverware. Gio Ponti broke through borders and traditions, choosing instead an interdisciplinary approach which combined design, art, craft and architecture. His fascination for a wide range of styles is evident from his designs for a wide variety of manufacturers, including Cassina and FontanaArte. © by Architonic