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Established&Sons

Established&Sons

Produits par Established&Sons

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Established&Sons Zero-In
Established&Sons
Established&Sons Wrongwoods Tray
Established&Sons
Image d’aperçu du fichier Catalogue 2019

Catalogue 2019

en • 2018

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Image d’aperçu du fichier Catalogue Surface Table

Catalogue Surface Table

en • 2019

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Image d’aperçu du fichier At work

At work

en • 2019

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Créateurs

Barber & Osgerby
Barber & Osgerby

United Kingdom

Edward Barber and Jay Osgerby founded their eponymous studio in 1996 after graduating with Master’s degrees in Architecture from The Royal College of Art in London. From their first studio in Trellick Tower in London, they designed their first piece, the Loop Table, produced by Isokon in 1997. Much of Barber and Osgerby’s early work involved the folding and shaping of sheet material, influenced by the white card that they had used frequently in architectural model making. Plywood and perspex were used in the development of the Pilot Table, 1999, and Stencil Screen, 2000.

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Ed Carpenter
Ed Carpenter

United States

2011: Public Architecture: The Art Inside, Curtis Fentress, ORO Editions. 2009: Iluminet internet lighting review, Mexico, February. 2009: American Craft Magazine, February/March. 2008: l’ARCA, Milano, Italy, #240, October. 2007: Dossier LighTech, Italy, April. 2006: l’ARCA, Milano, Italy, #219, November. 2006: American Craft, Aug./Sept. 2006. 2005: Glass Magazine, August. 2005: FLARE, Architectural Lighting Magazine, Italy, No. 38, April 2005. 2004: THIS SIDE UP!, Autumn. 2004: American Craft Magazine, June/July. 2004: Architectural Record, May. 2004: l’ARCA, Milano, Italy, #191, April. 2003: COLORFULNESS, Beijing, China, March. 2003: GLASS ART, January/February. 2003: The History of Stained Glass, The Art of Light Medieval to Contemporary, Virginia Chieffo Raguin, Thames & Hudson Ltd. 2002: Reflections on Glass, 20th Century Stained Glass in American Art and Architecture, American Bible Society. 2002: l’ARCA, Milano, Italy, #171. 2002, June: Designing the World’s Best Public Art, The Images Publishing Group Pty Ltd. 2002: Texas Architect, March/April. 2001: THIS SIDE UP!, The Netherlands, Summer. 2001: PUBLIC ART REVIEW, Spring/Summer2001. 2001: Ed Carpenter,Breath Of Light, l’ARCA Edizioni Publishers. 2000: Competitions, Winter 1999/2000. 1999: l’ARCA, Milano, Italy, #139, July/August. 1999: Visual Architecture 275, Vol. 35, Tokyo, Japan, March. 1999: Artisians Series: Glass, The Ivy Press Limited, Watson Guptill Publishers. 1998: l’ARCA, Milano, Italy, #132, December. 1988: Architectural Record, July. 1988: Architectural Record, June. 1998: l’ARCA, Milano, Italy, #127, June. 1998: Metropolis, May. 1998: Sculpture, April. 1998: Corporate Design, Tokyo Japan, March. 1997-1998: Muebles Y Decoración “X Año”, Gold Edition Magazine, Mexico City, A–o 11, No. 58. 1997: The Art Of Glass: Integrating Architecture And Glass, Stephen Knapp, Rockport Publishers. 1997: Architectural Glass Art, Andrew Moore, Rizzoli International Publications, Inc. 1997: Neues Glas, April (1/97). 1996: American Craft Magazine, June/July. 1995: Wisconsin Architect, March/April. 1995: Public Art Review, Fall/Winter. 1995: Architectural Record, May. 1994: Professional Stained Glass Magazine, June/July. 1994: Revista Del Vidrio Plano, #27, January/February. 1994: Architectural Digest, August. 1993: Stained Glass Magazine, Summer. 1993: Professional Stained Glass Magazine, October/November. 1993: New Glass Review, May, #14. 1993: Design And Living Magazine, Winter. 1992: Places, April. 1992: Architecture, June. 1992: 20th Century Stained Glass: A New Definition, Robert Kehlmann, Kyoto Shoin Co. Publishers. 1991: The Beauty Of Stained Glass, Patrick Reyntiens, Bulfinch Press. 1991: Art For Every Day, Edited By Carol Southern, Clarkson N. Potter Publishers. 1990: Sculpture, January/February. 1990: Professional Stained Glass, June. 1990: New York Times, July 12. 1990: Glasswork, August. 1990: Glass Art Magazine, January/February. 1989: Glass Art Magazine, September/October. 1989: Architectural Glass, Andrew Moore, Whitney Press. 1989: Architectural Digest, April. 1988: Stained Glass Quarterly, Vol. 83, #1, Spring. 1988: New York Times Magazine, May 1. 1988: New York Magazine, Winter. 1988: American Craft Magazine, June/July. 1988: America West, Vol. 3, #4, June. 1987: Dallas Morning News, November 24. 1987: Architecture, January. 1987: Architects’ Journal, London, October. 1986: New Glass Review, Corning, Museum. 1986: Neues Glas, April. 1986: Building Design Journal, August. 1986: Architecture Minnesota, January/February. 1985: Neues Glas Magazine, Dusseldorf, January. 1985: Kunst And Kirche, Darmstadt, West Germany 33. 1985: Arts And Architecture, Vol. 4, No. 1, May. 1984: New York Magazine, Winter/Spring. 1984: New Glass Review, Corning Museum. 1984: Building Design And Construction, March. 1984: Architecture, February. 1984: Architecture California, June. 1984: Architectural Record, June. 1983: Neues Glas, June. 1983: American Craft, June/July. 1982: A.I.A. Journal, June. 1979: Architectural Stained Glass, By Brian Clarke, A.R. Books. 1977: Los Angeles Times, Home Magazine. 1977: Art News, May. 1976: New Glass, By Otto Rigan, San Francisco Book Company.

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À propos de Established&Sons

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Established & Sons is a British brand representing all that is innovative in contemporary design. Well-known and respected as the brand that champions individual expression, design enthusiasts turn to the Established & Sons collection to find imaginative products with style and personality.

Established & Sons has supported, developed and produced works by some of the leading practitioners of our time and nurtured the careers of many young designers. A willingness to provide freedom to the artists and craftsmen it works with delivers original pioneering ideas that evolve into exceptional furniture and lighting collections.

The company presents designs that have the power to shock, challenge and widen accepted parameters. Chosen by collectors to provide a feature and talking point, some designs push material technology and even the laws of physics. Others contain elegance, humour, and a story to be told, a tale of multiple creative disciplines and dialogues uniting as a designer experiments and further develops their creative language.

Relying on skilled craftsmen and cutting-edge manufacturing techniques, the designs are at the same time diverse in the extreme and united in their quest for the extraordinary. They aspire to set the tone in the global conversation on design and mirror the essential character, style and identity of London, the birthplace and home of Established & Sons.

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