Articles de Cappellini

Italian architect and designer Fabio Novembre describes himself as a wise monkey that feels at home in the jungle. Maybe this is why some of his works are on the wild side.

Design is about communicating the human experience. This is what drives Brooklyn-based industrial designer and educator Todd Bracher.

Oki Sato, founder of Japanese design studio nendo, likes to create objects that generate a story and make people smile.

The young, experience-driven industrial designer likes to create things that people would like to live with on a daily basis.

Fresh back from Milan Design Week, with pockets full of news and valuable insights, we start off with this exclusive interview with Jasper Morrison. Continuing our series of articles on Material Tendencies, we spoke to the British designer who has

Continuously diving into new worlds and unusual experiences, Tom Dixon likes to design from a naive, inexperienced perspective. His eponymous brand – a British design and manufacturing company of lighting and furniture, established in 2002 –

New York a toujours exercé une forte attraction sur les créateurs du monde entier. Même si l’on considère l’immense réserve de designers dont recèle la ville, atteindre les sommets demeure une tache ardue. Qu’il s’agisse

The first-ever design show in the Middle East to unite on a single platform some of the best global design brands with award-winning design from the region, Dubai's new Downtown Design fair, like the soaring Burj Khalifa, has its sights set high.

More than 500 young and emerging designers have taken to the [D3] Design Talents stage at the Cologne Furniture Fair over the past ten years, presenting their ideas in prototype form to both an industry and a general audience. Architonic takes a look

Respected British designer Jasper Morrison has learnt many things in the course of his career. For example, how to design products that create 'atmosphere', as he describes it, yet have longevity, and how to ignore the marketing machine that would

This year's London Design Festival, now in its eighth year, was not only bigger than ever, it was also more international in complexion, with a significant number of non-British brands exhibiting in their permanent showrooms, in pop-up spaces and at