Pushing the boundaries of plastic manufacturing once again, Italian firm KARTELL unveils its newest innovation: the Matrix chair by Japanese designer Tokujin Yoshioka.

The Matrix chair’s complex moulded seat is the result of designer Tokujin Yoshioka’s extraordinary vision and Kartell’s manufacturing capabilities

Welcome to the Matrix: Kartell | Novedades

The Matrix chair’s complex moulded seat is the result of designer Tokujin Yoshioka’s extraordinary vision and Kartell’s manufacturing capabilities

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Kartell is a company that embraces revolution. In the 1960s it pioneered technologies that facilitated the mass manufacture of radical furniture from new plastics, and collaborated with leading designers to create some of the decade’s most iconic pieces. Its ongoing success, however, is a story of evolution, as these technologies have been adapted and updated over the years in response to shifting societal demands.

The latest product unveiled by the Italian firm in the year of its 70th anniversary exemplifies Kartell’s continued pursuit of technological innovation. The Matrix chair, by Japanese designer Tokujin Yoshioka, combines a unique design with a manufacturing process developed specifically for the product. The chair’s mesh-like seat was created using the latest injection-moulding technology and is a triumph of engineering excellence.

As with most Kartell products, the chair is available in a range of options to suit a variety of uses and interior schemes

Welcome to the Matrix: Kartell | Novedades

As with most Kartell products, the chair is available in a range of options to suit a variety of uses and interior schemes

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Yoshioka took advantage of Kartell’s expertise in plastic manufacturing, which is the result of many decades of investment in technological research and industrial production. According to the company’s President, Claudio Luti, “Matrix continues this journey, incorporating absolute quality and the ever-new application of revolutionary materials and technologies.”

The chair requires an exceptionally complex mould to create the delicate seat from overlapping layers of transparent or batch-dyed polycarbonate. Yoshioka was inspired by chairs from the 1950s that were manufactured from slender steel rods. His design reduces the seat to its essential three-dimensional structure and manifests this as a lightweight form that is available in transparent, white, black and plum colourways. By challenging Kartell’s production team to once again develop a sophisticated new process, Matrix continues the legacy of creative and technological evolution that is integral to the company’s DNA.

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