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Bench Table
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Bench Table
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Architonic ID: 20275355
Año de Lanzamiento: 2022
Table top and sides in solid wood, spruce oiled. Connection of the elements by a quick assembly system (screwless). Glides in plastic or felt.
Concepto
Pushing creative boundaries while keeping an eye on industrialization.
This simple formula could characterise the long-standing partnership between PLANK and Konstantin Grcic. 2022 sees the launch of their newest creations, BENCH and BENCH table.
The starting point of this project was a plain wooden beam to sit on. Extending both ends of the beam down to the floor creates the legs of a simple bench. The inverted U-shape looks familiar, were it not for a special detail. Seat and legs are plugged together by means of an invisible pin connection, which requires no tools for assembly or disassembly.
BENCH table was developed on the same construction principle and complements the bench harmoniously. While the bench is determined in its dimension and shape, the tables can be configured in different formats and leg positions. The timeless simplicity of the design allows BENCH and BENCH table to adapt to many different environments- public and domestic, traditional and modern, simple and elegant. The use of spruce wood, sourced from a local forestry, was a deliberate choice. It pays tribute to PLANK’s legacy as manufacturer of traditional alpine chairs. It also stands for a timeless and long-lasting solution, which expresses PLANK’s uncompromising dedication to the objectives of sustainability.
BENCH connects- people, places, perspectives.
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Especificaciones
Material
Base madera maciza, Tablero madera maciza, Madera
Archivos de diseño
30
Distribuidores
Diseñadores
Profile Konstantin Grcic (*1965) was trained as a cabinet maker at The John Makepeace School (Dorset, England) before studying Design at the Royal College of Art in London. Since setting up his own practice Konstantin Grcic Industrial Design (KGID) in Munich in 1991, he has developed furniture, products and lighting for some of the leading companies in the design field. Amongst his renowned clients are Authentics, BD Ediciones, ClassiCon, Flos, Flötotto, Laufen, Magis, Mattiazzi, Muji, Nespresso, Plank, Serafino Zani, Thomas-Rosenthal and Vitra. For Galerie kreo in Paris, he has created a number of limited edition pieces since 2004. Many of his products have received international design awards such as the prestigious Compasso d`Oro for his MAYDAY lamp (Flos) in 2001 and the MYTO chair (Plank) in 2011. Work by Konstantin Grcic forms part of the permanent collections of the world´s most important design museums (a.o. MoMA/New York, Centre Georges Pompidou/Paris). Konstantin Grcic has curated a number of significant design exhibitions such as DESIGN-REAL for The Serpentine Gallery, London (2009), COMFORT for the St.Etienne Design Biennale (2010) and BLACK2 for the Istituto Svizzero, Rome (2010). In 2012 he was responsible for the exhibition design of the German Pavillon at the 13th Architecture Biennale in Venice. Solo exhibitions of his work have been shown at the Museum Boijmans Van Beuningen (Rotterdam, 2006), Haus der Kunst (Munich, 2006), The Art Institute of Chicago (2009) and most recently at the Vitra Design Museum (Weil am Rhein, 2014). The Royal Society for the Encouragement of Arts, Manufactures and Commerce (RSA) appointed Konstantin Grcic "Honorary Royal Designer for Industry (Hon RDI)", in 2010 he was fellow at Villa Massimo in Rome. Design Miami/ arwarded him the title "2010 Designer of the Year". Konstantin Grcic defines function in human terms, combining formal strictness with considerable mental acuity and humour. Each of his products is characterized by a careful research into the history of design and architecture and his passion for technology and materials. Known for pared-down pieces, Grcic is often called a minimalist but the designer himself prefers to speak of simplicity.
