MOYA - June
MOYA - June
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MOYA - June
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    June

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Architonic ID: 1469804

The June armchair features an outstanding subtle play of classic forms, which is one of the basic principles of MOYA. The simplicity is amplified by the cubic shape, clean lines and continuous surface forming the backrest and armrest, achieving an unassuming style that does not age, and gives this piece exceptionally strong character, which will not escape the eye of the perceptive observer. Through the introduction of serenity, elegance and modesty into every space, the concept of universality allows for the user`s activities and habits to be accentuated. The seemingly bare form of the armchair is actually a cunning way to emphasize the uniqueness of the person sitting in it – this way the furniture becomes the background for the richness of the human being. An additional value of June is reflected in the design of the base, in the play with immovability: the air ring hovering around the base is like a thin thread of subtlety which confronts the strength of the form, a seduction game between the detail and the whole.

“That`s the mistake I made… to have wanted a story for myself, whereas life alone is enough.”

Samuel Beckett

Concepto

The June armchair features an outstanding subtle play of classic forms, which is one of the basic principles of MOYA. The simplicity is amplified by the cubic shape, clean lines and continuous surface forming the backrest and armrest, achieving an unassuming style that does not age, and gives this piece exceptionally strong character, which will not escape the eye of the perceptive observer. Through the introduction of serenity, elegance and modesty into every space, the concept of universality allows for the user`s activities and habits to be accentuated. The seemingly bare form of the armchair is actually a cunning way to emphasize the uniqueness of the person sitting in it- this way the furniture becomes the background for the richness of the human being. An additional value of June is reflected in the design of the base, in the play with immovability: the air ring hovering around the base is like a thin thread of subtlety which confronts the strength of the form, a seduction game between the detail and the whole.

"That`s the mistake I made... to have wanted a story for myself, whereas life alone is enough."

Samuel Beckett

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