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Traffic Banco
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Architonic ID: 1370461
Año de Lanzamiento: 2014
Material: estructura en barra de acero barnizado poliéster o barnizado poliéster y tratado anti-óxido. Cojines desenfundables en espuma de poliuretano tapizado en tejido (Kvadrat “Steelcut Trio” o Polyhedra para el exterior) o en piel. Disponible también bandeja en piedra acrílica. Disponible versiones para el exterior.
La marca Magis se estampa en todos los productos de la colección y garantiza su originalidad.
Concepto
Volúmenes geométricos delicados, con tapizado de tela o piel, sostenidos por sutiles estructuras en barra de acero barnizadas con colores metalizados: este es el concepto del que nace Traffic, una colección entera de muebles acolchados que conjuga sencillez y refinamiento, usando también el color como un lenguaje expresivo y multiforme. Jugando con proporciones diferentes, del concepto de base de Traffic adquieren forma múltiples declinaciones: un sillón, un sofá de dos y de tres plazas, un banco en dos versiones, una chaise longue y una isla. A la colección se añadiron dos mesas de centro a la colección, una grande y una pequeña, y otra mesa de centro más alta, siempre con la estructura de barra de acero pero con tablero de piedra artificial: una ulterior sensación de materialidad que se añade al panorama doméstico o comunitario.
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Especificaciones
Material
Base metal, Metal
Distribuidores
Diseñadores
Profile Konstantin Grcic (*1965) was trained as a cabinet maker at The John Makepeace School (Dorset, England) before studying Design at the Royal College of Art in London. Since setting up his own practice Konstantin Grcic Industrial Design (KGID) in Munich in 1991, he has developed furniture, products and lighting for some of the leading companies in the design field. Amongst his renowned clients are Authentics, BD Ediciones, ClassiCon, Flos, Flötotto, Laufen, Magis, Mattiazzi, Muji, Nespresso, Plank, Serafino Zani, Thomas-Rosenthal and Vitra. For Galerie kreo in Paris, he has created a number of limited edition pieces since 2004. Many of his products have received international design awards such as the prestigious Compasso d`Oro for his MAYDAY lamp (Flos) in 2001 and the MYTO chair (Plank) in 2011. Work by Konstantin Grcic forms part of the permanent collections of the world´s most important design museums (a.o. MoMA/New York, Centre Georges Pompidou/Paris). Konstantin Grcic has curated a number of significant design exhibitions such as DESIGN-REAL for The Serpentine Gallery, London (2009), COMFORT for the St.Etienne Design Biennale (2010) and BLACK2 for the Istituto Svizzero, Rome (2010). In 2012 he was responsible for the exhibition design of the German Pavillon at the 13th Architecture Biennale in Venice. Solo exhibitions of his work have been shown at the Museum Boijmans Van Beuningen (Rotterdam, 2006), Haus der Kunst (Munich, 2006), The Art Institute of Chicago (2009) and most recently at the Vitra Design Museum (Weil am Rhein, 2014). The Royal Society for the Encouragement of Arts, Manufactures and Commerce (RSA) appointed Konstantin Grcic "Honorary Royal Designer for Industry (Hon RDI)", in 2010 he was fellow at Villa Massimo in Rome. Design Miami/ arwarded him the title "2010 Designer of the Year". Konstantin Grcic defines function in human terms, combining formal strictness with considerable mental acuity and humour. Each of his products is characterized by a careful research into the history of design and architecture and his passion for technology and materials. Known for pared-down pieces, Grcic is often called a minimalist but the designer himself prefers to speak of simplicity.