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Brut
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Architonic ID: 1558711
Año de Lanzamiento: 2017
Mesa.
Material: estructura de fundición de hierro barnizado poliéster.
Tablero de marmor de Carrara o Marquinia.
Concepto
El punto de partida de este proyecto ha sido un proceso productivo bien definido, o sea, la manufactura del hierro colado, un material que tiene dos características distintivas: su fuerza y su dureza. El hierro colado responde muy bien a la compresión, razón por la cual es utilizado como material estructural en la construcción de puentes y, más próximo al ámbito del mobiliario, como base para la maquinaria pesada. Este uso del hierro colado es precisamente el que ha inspirado la colección Brut, cuyo proyecto hace referencia al uso industrial del hierro colado y aplica la gramática del material al reino del mobiliario contemporáneo: un material sólido y sin compromisos. El nombre evoca algo tosco y poco refinado, pero a su vez recuerda la dulzura del vino espumoso. Además de las mesas y los bancos presentados el año pasado, la colección se enriquece aún más con un sofá, caracterizado por una estructura de hierro colado con asientos y respaldo de tela, un producto que transmite distinción y elegancia, calidades intrínsecas de todos los diseños de la colección.
Este producto pertenece a la colección:
Especificaciones
Material
Base metal, Mármol, Metal, Piedra natural, Tablero piedra natural
Archivos de diseño
4
Distribuidores
Diseñadores
Profile Konstantin Grcic (*1965) was trained as a cabinet maker at The John Makepeace School (Dorset, England) before studying Design at the Royal College of Art in London. Since setting up his own practice Konstantin Grcic Industrial Design (KGID) in Munich in 1991, he has developed furniture, products and lighting for some of the leading companies in the design field. Amongst his renowned clients are Authentics, BD Ediciones, ClassiCon, Flos, Flötotto, Laufen, Magis, Mattiazzi, Muji, Nespresso, Plank, Serafino Zani, Thomas-Rosenthal and Vitra. For Galerie kreo in Paris, he has created a number of limited edition pieces since 2004. Many of his products have received international design awards such as the prestigious Compasso d`Oro for his MAYDAY lamp (Flos) in 2001 and the MYTO chair (Plank) in 2011. Work by Konstantin Grcic forms part of the permanent collections of the world´s most important design museums (a.o. MoMA/New York, Centre Georges Pompidou/Paris). Konstantin Grcic has curated a number of significant design exhibitions such as DESIGN-REAL for The Serpentine Gallery, London (2009), COMFORT for the St.Etienne Design Biennale (2010) and BLACK2 for the Istituto Svizzero, Rome (2010). In 2012 he was responsible for the exhibition design of the German Pavillon at the 13th Architecture Biennale in Venice. Solo exhibitions of his work have been shown at the Museum Boijmans Van Beuningen (Rotterdam, 2006), Haus der Kunst (Munich, 2006), The Art Institute of Chicago (2009) and most recently at the Vitra Design Museum (Weil am Rhein, 2014). The Royal Society for the Encouragement of Arts, Manufactures and Commerce (RSA) appointed Konstantin Grcic "Honorary Royal Designer for Industry (Hon RDI)", in 2010 he was fellow at Villa Massimo in Rome. Design Miami/ arwarded him the title "2010 Designer of the Year". Konstantin Grcic defines function in human terms, combining formal strictness with considerable mental acuity and humour. Each of his products is characterized by a careful research into the history of design and architecture and his passion for technology and materials. Known for pared-down pieces, Grcic is often called a minimalist but the designer himself prefers to speak of simplicity.