


Architonic ID: 20137396
Año de Lanzamiento: 2018
SPECIFICATIONS
Body: Metal frame, supported by a wooden base, covered with
polyurethane foam in varying densities for optimum support and
comfort, wrapped in polyester quilting, 100% cotton inner cover.
Coupling system: The elements in any configuration are joined
together by a metal coupling system.
Legs: Black polyurethane, 5cm (not visible).
Upholstery: Composition of fabrics depends on the customer’s
choice of upholstery. Leathers are either aniline or pigmented/
sealed.
Table: 100% polyester
OPTIONS
Upholstery: Fixed, in either fabric or leather. Customers can opt
to supply their own choice of upholstery fabric/leather. Please
note: leather upholstery requires more (visible) seams than fabric
upholstery. For an impression of LINTELOO’s fabrics and leathers,
see ‘Materials’ at linteloo.com
Special features: Each element can be positioned as a stand-alone
piece or in a combination with other elements—this offers a wide
range of compositions. The polyester side table (mouse grey or
black) can be customized in any RAL colour, upon request.
Concepto
German-French artist Jean (Hans) Arp (1886-1966) recognized a human’s need for silence and feared its disappearance from the modern world: ‘Soon silence will have passed into legend. Man has turned his back on silence.’ In 1942, he dedicated one of his most famous sculptures, ‘Sculpture de Silence, Corneille’ to the virtue of quietude. Its curvaceous shape and the underlying ideas, inspired Sebastian Herkner to design his modular and versatile Arp collection: soft, harmonious and, indeed, visually ‘quiet’.
Este producto pertenece a la colección:
Base a ras de suelo
De dos plazas
Modulares, Asiento y respaldo tapizados, Con apoyabrazos
Contract, Hospitalidad, Multiuso, Residencial

Germany
Profile Sebastian Herkner was born in 1981 in Bad Mergentheim. He studied product design at the HfG Offenbach am Main (Offenbach University of Art and Design), already focusing during his studies on designing objects and furniture merging various cultural contexts, combining new technologies with traditional craftsmanship in order to highlight the multifaceted beauty of the materials and draw renewed attention to small details. Whilst still a student, Herkner did an internship with Stella McCartney in London, which helped to hone his feeling for materials, colours, structures and textures. Since founding his own design studio in Offenbach am Main in 2006, he has designed products for manufacturers such as ClassiCon, Dedon, Fontana Arte, La Chance, Moroso, Pulpo, Rosenthal and Very Wood, as well as working on interior design projects and for exhibitions and museums. Since 2007 he has taught several courses at HfG Offenbach am Main as visiting lecturer. His designs have received multiple prizes, for example the 2011 German Design Award in the Newcomer category, 2015 the EDIDA Award for Best International Newcomer and Guest of Honor at imm cologne 2016. // written by Markus Frenzl “There is a sensitivity and identity to my work that emphasizes the function, the material and the detail. I transport and interpret characteristics from various contexts of society and culture and implement them in new artifacts. This character infuses the most everyday objects with respect and personality. In this manner, seemingly contrary things can experience esteem.“ Sebastian Herkner, born 1981, studied Product Design at Offenbach Design Academy. During his studies he did an internship at Stella McCartney in London and developed a particular liking there for color, material and their connection. Since graduating from Offenbach in 2007 he has worked as assistant in the Product Design faculty and is in charge of projects in the realm of integrated design. As early as 2006 Sebastian Herkner established his own studio and has since then been involved in freelance projects for various companies and institutes. Alongside the design of exhibitions and trade fair presentations his second focus is on designing everyday objects. He is influenced in this by his observations of people and their actions. In this context it is important to look beyond your own disciplines in order to achieve a value-added for the user. Sebastian Herkner is not so much influenced by trends or current consumer criteria, because what interests him is a collage of simple techniques and traditional materials coupled with a simple mechanical principle and an unambiguous function. His idea of sustainability consists of employing traditional manufacturing techniques and their unique character. He then combines and interprets this by employing new technologies and finishing methods. In spring 2010 his occasional table Bell-Table was presented in New York in the collection of Spanish manufacturer ABR, which also received the red dot award 2010. // written by German Design Council Even at this early stage in his career Sebastian Herkner is attracting attention with his outstanding works. We can look forward to being surprised by more of his designs in the future. // Roland Heiler, Managing Director Porsche Design GmbH