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Multitone - 0675
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Multitone - 0675
Acerca de este producto
Architonic ID: 1451468
SKU: 20124 - 0675
Año de Lanzamiento: 2014
Production method: Hand woven
Production time: 6- 9 weeks
Composition: 100% pure New Zealand wool
Length of fringes: approx. 700 cm (275 ½")
Width:80- 300 cm (2' 7 ½"- 9' 10")
Length: 80- 500 cm (2' 7 ½"- 16' 5")
Weight: 1,600 g/m² (5.24 oz/sq ft)
Standard size without fringes:
130cm×170cm (51¼"×67"),
200cm×300cm (78¾"×118"),
250cm×350cm (981/2"×1373/4")
Traffic:
Suitable for medium to heavy residential and commercial use
with exceptions of stairways, corridors or with the use of castors.
Concepto
Multitone started life as a colour blanket, an evolution of the Duotone rug. The result was so good that a rug was created based on the concept too.
Taking the same basic construction as the Duotone rug, Multitone is made by weaving in multiple colours for a statement rug that energizes a space with its mesmerising pattern.
The rug is made using a simple flat-woven basket construction. The different thicknesses of the yarns and the contrasting colours lend the rug extra surface interest. It is hand woven by skilled weavers from India using New Zealand wool.
Este producto pertenece a la colección:
Especificaciones
Color
Color verde, Color multicolor, Color rojo
Material
Materiales naturales, Lana virgen
Variantes
1
Puedes visitar la página del producto para estas variantes, ¡simplemente haz clic en ellas!
Archivos de diseño
10
Distribuidores
Diseñadores
Hella Jongerius
Netherlands
Hella Jongerius’s research on colours, materials, and textures is never complete. All her questions are open-ended, and all her answers provisional, taking the form of finished and semi-finished products. These are part of a never-ending process, and the same is essentially true of all Jongeriuslab designs: they possess the power of the final stage, while also communicating that they are part of something greater, with both a past and an uncertain future. The unfinished, the provisional, the possible – they hide in the attention for imperfections, traces of the creation process, and the revealed potential of materials and techniques. Through this working method, Jongerius not only celebrates the value of the process, but also engages the viewer, the user, in her investigation.
