


Architonic ID: 1544417
SKU: SHST45K
Año de Lanzamiento: 2018
H825 W405 D525 SH475
Concepto
We are following up the success of our popular Shell stool with the new Shell chair (2018). The underlying thinking behind the design has been to find the right balance between the distinctive lines of the stool and a chair that projects its own unique identity. The aim has been to retain the subtle curves of the seat shell and the construction of the frame with its slightly angled legs. The chair provides a comfortable seating angle and an ideal degree of flexibility that follows the contours of the body and responds to its movements.
Depending on how you choose to combine seat shell, textiles and surface finish, you can change the personality of Shell to blend seamlessly into its surroundings. Such versatility means that Shell can be used in virtually any setting you wish. The chair makes a handsome match with many of Karl Andersson & Söner’s tables and, thanks to its comfort and sleek lines, Shell is an ideal choice of chair in canteens, lunchrooms, restaurants and cafés.The chair is manufactured in oak, birch or ash, available in our standard colors and in our standard stains on ash. Choose an all-wood chair or versions with a covered seat, or fully upholstered in fabric or leather. Cold-cured foam padding. Please enquire for details of other finish.
Este producto pertenece a la colección:
Base madera maciza, Cuero, Asiento cuero, Madera
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Sweden
Note is a Stockholm-based design studio founded in 2008 working within the fields of architecture; interior; product and graphic design as well as design strategy. Our pieces for Le Chance, Menu, Zero or Punt among other brands have become renowned worldwide. Our philosophy is to stand out from the crowd: “To note something, to get noticed: we are named after what we try to achieve. We like to pay attention to our surroundings, and try to create things that make others do the same. By looking at what is unique in every project and emphasizing that, we transform non-material values into tactile objects and spaces.”