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MeatPacking Patchwork Bronzo
Variantes disponibles:
- Inicio/Alfombras / Alfombras de diseño/
MeatPacking Patchwork Bronzo
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Architonic ID: 20084202
Año de Lanzamiento: 2012
MEATPACKING PATCHWORK- Material: wool and cotton- Structure: hand knotted- Thickness: 5 mm- Colour: Bronzo
Concepto
MeatPacking Patchwork is a collection of delightful limited edition rugs resulting from research into the expressive power of color and tactile textures.
These one-of-a-kind wool and cotton pieces are produced using fragments of 30-50 years old vintage rugs; they have been stripped of color, dyed, and reassembled with stitching that combines seamessly the different design components. The bands of color depict motifs, styles, and eras that are distant yet familiar. Thanks to the well-balanced composition of the rug designs, the space appears to be geometrically reorganized and expanded.
The versatile rug collection includes a vast color range of 23 shades and can be requested in any shape or size.
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Especificaciones
Dimension
Tamaño personalizado
Variantes
21
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MeatPacking Patchwork Azzurro
MeatPacking Patchwork Turchese
MeatPacking Patchwork Grigio Scuro
MeatPacking Patchwork Argento
MeatPacking Patchwork Terra Rosa
MeatPacking Patchwork Viola Chiaro
MeatPacking Patchwork Naturale
MeatPacking Patchwork Grigio Chiaro
MeatPacking Patchwork Sabbia
MeatPacking Patchwork Fucsia
MeatPacking Patchwork Giallo
MeatPacking Patchwork Viola Scuro
Distribuidores
Diseñadores
Deanna Comellini
Italy
Deanna Comellini spent her formative years in the artistic environment of Bologna during the 70’s following art studies (DAMS). In 1974, she entered the world of design, starting to work for the Bolognese company CASTELLI. Her first collection of décor complements was presented by Maddalena Da Padova in the historic Space of Corso Venezia, Milan in 1977, the year in which Deanna founded the company G.T.DESIGN, for which she is designer and art director. Initially she worked on materials and shapes with high technological results, but her projectual research would transform into a productive philosophy. During the 80’s, the will to discover, explore, and salvage traditional techniques of various international cultures brought her to think and work on a concept of “imperfect design”. Her curiosity, free from boundaries, has led to the creation of an encounter between artisanal knowledge and project culture. Her emphasis on hand-made, natural materials, colour and elementary forms, led to her creating a new genre in the 90s, reinventing the presence of textiles in interior design. Today her project research focuses on the contemporary carpet, intended as an essential element of interior architecture and design.