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Louvre Light
Architonic ID: 20060533
SKU: 1707
Año de Lanzamiento: 2008
Louvre Light
Klauser & Carpenter’s surprisingly understated Louvre design uses layers of pressed aluminium to create a glare-free, ambient light. Singled out for use above dining tables and kitchen islands, Louvre light is bright enough to work under and yet can be dimmed for entertaining. Public spaces multiply the light source by hanging Louvre light together in lines. The light is particularly suited to ‘power’ spaces- this sleek design subtly introduces a luxury material into hard-working executive interiors.
Dimensions
S1: L950mm × D210mm × H215mm, cable L2000mm 6.8kg
Materials
Anodised aluminium, polycarbonate diffuser, powder-coated aluminium and steel fixings, steel suspension cable.
Colours
Anodised black
Anodised bronze
Technical details
Supply Voltage
G5- 220/240Vac, 50-60Hz
G5- 110/120Vac, 60Hz
UL certified
Dimmable
Luminaire compatible with dimming devices
Este producto pertenece a la colección:
Aluminio, Metal
Puedes visitar la página del producto para estas variantes, ¡simplemente haz clic en ellas!

United States
2011: Public Architecture: The Art Inside, Curtis Fentress, ORO Editions. 2009: Iluminet internet lighting review, Mexico, February. 2009: American Craft Magazine, February/March. 2008: l’ARCA, Milano, Italy, #240, October. 2007: Dossier LighTech, Italy, April. 2006: l’ARCA, Milano, Italy, #219, November. 2006: American Craft, Aug./Sept. 2006. 2005: Glass Magazine, August. 2005: FLARE, Architectural Lighting Magazine, Italy, No. 38, April 2005. 2004: THIS SIDE UP!, Autumn. 2004: American Craft Magazine, June/July. 2004: Architectural Record, May. 2004: l’ARCA, Milano, Italy, #191, April. 2003: COLORFULNESS, Beijing, China, March. 2003: GLASS ART, January/February. 2003: The History of Stained Glass, The Art of Light Medieval to Contemporary, Virginia Chieffo Raguin, Thames & Hudson Ltd. 2002: Reflections on Glass, 20th Century Stained Glass in American Art and Architecture, American Bible Society. 2002: l’ARCA, Milano, Italy, #171. 2002, June: Designing the World’s Best Public Art, The Images Publishing Group Pty Ltd. 2002: Texas Architect, March/April. 2001: THIS SIDE UP!, The Netherlands, Summer. 2001: PUBLIC ART REVIEW, Spring/Summer2001. 2001: Ed Carpenter,Breath Of Light, l’ARCA Edizioni Publishers. 2000: Competitions, Winter 1999/2000. 1999: l’ARCA, Milano, Italy, #139, July/August. 1999: Visual Architecture 275, Vol. 35, Tokyo, Japan, March. 1999: Artisians Series: Glass, The Ivy Press Limited, Watson Guptill Publishers. 1998: l’ARCA, Milano, Italy, #132, December. 1988: Architectural Record, July. 1988: Architectural Record, June. 1998: l’ARCA, Milano, Italy, #127, June. 1998: Metropolis, May. 1998: Sculpture, April. 1998: Corporate Design, Tokyo Japan, March. 1997-1998: Muebles Y Decoración “X Año”, Gold Edition Magazine, Mexico City, A–o 11, No. 58. 1997: The Art Of Glass: Integrating Architecture And Glass, Stephen Knapp, Rockport Publishers. 1997: Architectural Glass Art, Andrew Moore, Rizzoli International Publications, Inc. 1997: Neues Glas, April (1/97). 1996: American Craft Magazine, June/July. 1995: Wisconsin Architect, March/April. 1995: Public Art Review, Fall/Winter. 1995: Architectural Record, May. 1994: Professional Stained Glass Magazine, June/July. 1994: Revista Del Vidrio Plano, #27, January/February. 1994: Architectural Digest, August. 1993: Stained Glass Magazine, Summer. 1993: Professional Stained Glass Magazine, October/November. 1993: New Glass Review, May, #14. 1993: Design And Living Magazine, Winter. 1992: Places, April. 1992: Architecture, June. 1992: 20th Century Stained Glass: A New Definition, Robert Kehlmann, Kyoto Shoin Co. Publishers. 1991: The Beauty Of Stained Glass, Patrick Reyntiens, Bulfinch Press. 1991: Art For Every Day, Edited By Carol Southern, Clarkson N. Potter Publishers. 1990: Sculpture, January/February. 1990: Professional Stained Glass, June. 1990: New York Times, July 12. 1990: Glasswork, August. 1990: Glass Art Magazine, January/February. 1989: Glass Art Magazine, September/October. 1989: Architectural Glass, Andrew Moore, Whitney Press. 1989: Architectural Digest, April. 1988: Stained Glass Quarterly, Vol. 83, #1, Spring. 1988: New York Times Magazine, May 1. 1988: New York Magazine, Winter. 1988: American Craft Magazine, June/July. 1988: America West, Vol. 3, #4, June. 1987: Dallas Morning News, November 24. 1987: Architecture, January. 1987: Architects’ Journal, London, October. 1986: New Glass Review, Corning, Museum. 1986: Neues Glas, April. 1986: Building Design Journal, August. 1986: Architecture Minnesota, January/February. 1985: Neues Glas Magazine, Dusseldorf, January. 1985: Kunst And Kirche, Darmstadt, West Germany 33. 1985: Arts And Architecture, Vol. 4, No. 1, May. 1984: New York Magazine, Winter/Spring. 1984: New Glass Review, Corning Museum. 1984: Building Design And Construction, March. 1984: Architecture, February. 1984: Architecture California, June. 1984: Architectural Record, June. 1983: Neues Glas, June. 1983: American Craft, June/July. 1982: A.I.A. Journal, June. 1979: Architectural Stained Glass, By Brian Clarke, A.R. Books. 1977: Los Angeles Times, Home Magazine. 1977: Art News, May. 1976: New Glass, By Otto Rigan, San Francisco Book Company.

United Kingdom
André Klauser and Ed Carpenter are two young, London-based designers, each with a series of impressive works under his belt. Together Klauser & Carpenter produce collaborative works as a design partnership although each also pursues individual projects. Carpenter originally trained as a sculptor at Kingston University before completing an MA in Design Products at the Royal College of Arts. Perhaps Carpenter’s most prolific work to date has been the ‘Pigeon Light’ produced for Thorsten Van Elten. Klauser studied Design at FH Münster before moving to London to work in Jasper Morrison’s studio, Office For Design. Klauser established his own studio in 2002 and has since worked on independent projects (such as the Mandi Chair, originally produced for Promosedia, now manufactured by Thorsten Van Elten). Klauser & Carpenter’s clients include Modus, Authentics, Thorsten Van Elten and Elmar Flötotto.