


Mews ink
Architonic ID: 1362037
Año de Lanzamiento: 2013
Material: Homogeneous porcelain stoneware
Mutina production: Industrial
Surface: Smooth
Format in cm: 5,5x45 cm
Colours: Mews collection is divided into
6 colours: Chalk (white), Fog (light grey), Pigeon (medium grey), Lead (dark grey), Ink (dark blue), Soot (black).
Each colour contains a palette composed by 15 different tones.
Thickness: 10 mm
Intended use: Floor and wall coverings, suitable for both indoor and outdoor environments
Technical features: Technical product, resistant to deep abrasion, frost, stains, chemical agents and acids. The material is sold fully adjusted to ensure the same size for each format and for each supply.
Concepto
Edward Barber & Jay Osgerby live and work in London and are therefore strongly influenced by the city. They have created Mews inspired by the landscape, the history and the personality of the British capital, and by the huge variety of textures characterizing its infrastructures, such as bricks, wooden floors and irregular geometrical patterns. The apparently random and intentionally inaccurate effect is due to the color compositional freedom obtained by an extensive research and several experimentations on color and nuances combinations.
The collection consists of 6 base colors: chalk, fog, pigeon, lead, ink and soot, each of which contains a palette of 15 different shades. This wide color range adds depth and movement to the tiled surface making it rich and remarkable. The production of Mews is industrially made in homogeneous porcelain stoneware with a colored mass dough and it is combined to an handmade glazed white version obtained by extrusion. The collection has been designed with both contemporary and traditional use in mind. The variety of neutral tones allows the tiles to be a focal point or a backdrop in any interior scheme whether it is a small city apartment or traditional rural farmhouse.
Color gris, Color unicolor
Cerámica, Gres porcelánico

United Kingdom
Edward Barber and Jay Osgerby founded their eponymous studio in 1996 after graduating with Master’s degrees in Architecture from The Royal College of Art in London. From their first studio in Trellick Tower in London, they designed their first piece, the Loop Table, produced by Isokon in 1997. Much of Barber and Osgerby’s early work involved the folding and shaping of sheet material, influenced by the white card that they had used frequently in architectural model making. Plywood and perspex were used in the development of the Pilot Table, 1999, and Stencil Screen, 2000.