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430 FF.Spine
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Architonic ID: 20340815
Año de Lanzamiento: 2025
Cassina comienza a producir la estantería FF.Spine que Formafantasma diseña por primera vez para la Galleria Giustini / Stagetti de Roma en ocasión del estreno de la colección “1858”, que consistía en muebles elaborados exclusivamente a partir de uno de los catorce millones de abetos que la tormenta Vaia había arrancado en octubre de 2018, cuando devastó el bosque de Val di Fiemme. De ahí proviene el nombre '1858', año en que nació ese árbol. Los diseñadores redefinen su compromiso de recuperar materiales al fabricar la estantería a partir de bloques de madera maciza con vetas y cortes heterogéneos, lo que les ha permitido aprovechar al máximo cada parte de un tronco gracias a su modularidad, con el fin de preservar los valiosos recursos naturales. FF.Spine representa la fusión entre la estética minimalista de los maestros del siglo XX y la versátil elegancia del diseño contemporáneo, lograda a través de una construcción extremadamente lineal combinada con un marcado virtuosismo geométrico. El sistema ha sido pensado para ofrecer una gran flexibilidad de uso. Posibilita configuraciones variadas y una amplia selección de acabados que realzan la estructura de la madera, para revelar toda la belleza de la materia prima.
Este producto pertenece a la colección:
Especificaciones
Material
Estructura madera maciza
Variantes
3
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Distribuidores
Diseñadores
Formafantasma
Netherlands
Andrea Trimarchi (1983) and Simone Farresin (1980) are Studio Formafantasma, an Italian designers duo based in Amsterdam, The Netherlands. Their interest in product design developed on the IM master course at Design Academy Eindhoven, where they graduated in July 2009. Since then, Formafantasma has developed a coherent body of work characterised by experimental material investigations and explored issues such as the relationship between tradition and local culture, critical approaches to sustainability and the significance of objects as cultural conduits. In perceiving their role as a bridge between craft, industry, object and user, they are interested in forging links between their research-based practice and a wider design industry. As a result, works by Studio Formafantasma have been commissioned by a variety of partners including Fendi, Max Mara - Sportmax, Hermès, Droog, Nodus rug, J&L Lobmeyr, Gallery Giustini - Stagetti/Galleria O. Roma, Gallery Libby Sellers, Established and Sons, Lexus and Flos. Whether designing for a client or investigating alternative applications of materials, Studio Formafantasma apply the same rigorous attention to context, process and detail to every project they undertake. The added nuance for the duo is that they do so with an eye to the historical, political and social forces that have shaped their environments. Their work has been presented and published internationally and museums such as New York's MoMA, London’s Victoria and Albert, New York's Metropolitan Museum, the Chicago Art Institute, the TextielMuseum in Tilburg, the Stedelijk’s-Hertogenbosch, MUDAC Lausanne, the Mint Museum of Craft and Design in North Carolina and the MAK Museum in Vienna have all acquired Formafantasma’s designs for their permanent collections. In March 2011 Paola Antonelli of the Museum of Modern Art in New York and esteemed design critic Alice Rawsthorn listed their studio amongst a handful of practices that would shape the future of design. Andrea and Simone are lecturing and heading workshops in various Universities and Institutions. Currently they are teaching at the ‘Well Being’ and 'Contextual Design' Departments of the Design Academy Eindhoven. Since October 2016, they are at the head of the Design bachelor at MADE Program in Siracusa, Italy.