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Buffa armchair
Acerca de este producto
Architonic ID: 20771350
Año de Lanzamiento: 2024
A puffy, distended shape that suggests immediate comfort, together with spiked edges to further emphasize the inner plumpness. Buffa, even the name sounds pliable and absorbent, like a silencer. Its connection to Italian comic opera comes only secondary -through a certain playfulness and flippancy of form. Formally, this was about abandoning a classic sleek and angular style, and making a distinct shift towards the soft, rounded line to create a sofa that does not need to be tamed or appeased with cushions.
Concepto
Realizing that we live in a time when the whole world is our home, a time where comfort is king and the pillow is its ultimate symbol, Buffa seems perfectly in sync with this Zeitgeist thanks to its features, just as the name suggests. Even the armrest also functions as a headrest, ergonomically shaped to support the body in a reclining position and banish rigid reality. The sofa can be combined with a luxurious corner element that provides greater seating depth. Part of the collection is also an armchair that can function separately, which is particularly suitable for public spaces. Its connection to Italian comic opera comes second – through a certain playfulness and overlapping of forms.
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Especificaciones
Material
Base metal, Metal
Archivos de diseño
11
Distribuidores
Diseñadores
Numen/For Use
Austria
Product design group For Use was formed through collaboration of Sven Jonke, Christoph Katzler and Nikola Radeljkovic in the year 1998. Two members studied at the School of Design in Zagreb, while Katzler studied at High School for Applied Arts in Vienna. Since then the group designed furniture and objects for companies such as Cappellini, ClassiCon, Desalto, Interlubke, Magis, MDF Italia, Moroso, and Zanotta. In 1999 the group realized several important exhibition design projects and established Numen as a group name for projects realized outside of the field of industrial design. In the initial stage the group worked together with Jelenko Hercog and Toni Uroda, graphic and multimedia designers. The work was characterized by experimenting with rule-based design and radical reduction of form in the tradition of High modernism, mostly applied to total-design projects . In 2004 Jonke, Katzler and Radeljkovic started developing set design projects for various theater companies which led to a major breakthrough in 2005 with set design for Infierno in Centro Dramatico Nacional in Madrid. Since then the group designed sets in Belgrade, Berlin, Istanbul, Ljubljana, Madrid, Merida, Osijek, Rijeka, Skopje and Zagreb, mostly with directors Tomaz Pandur and Aleksandar Popovski with whom they developed a continuous cooperation. In 2005 Numen/ForUse established the first design oriented brand for quality furniture in former Yugoslavia - Element, designing visual identity and initial furniture collection. The group has since managed artistic direction and product development of the company. The group has simultaneously developed interior and exterior design projects, usually working with 3lhd and Imarea architects, the most important of which is the integral design of the waterfront in Split realized in 2007. From 2008 on Numen / For Use has been designing objects and concepts without predefined function, resulting in projects like Numen-light, Tape and NET. Besides these prominent realizations, the group has been awarded several international prizes for their work in the fields of set and industrial design.
