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Architonic ID: 20746202
SKU: 4500000OT123033
Año de Lanzamiento: 2017
¿Eres una mente creativa? Karim Rashid definitivamente lo es. Y con Ottawa, te invita a mezclar y combinar creativamente. Detrás del diseño tranquilo de Ottawa se encuentra un concepto extremadamente flexible que puede utilizar para amueblar su habitación de forma individual. Levanta los pies, estírate o aprovecha los asientos adicionales: no te arrepentirás de haber elegido este cómodo sofá con chaise longue.
MEDIDAS Y PESO
Altura: 96cm
Ancho: 218cm
Profundidad: 130cm
Altura del asiento: 42 cm
Peso: 96 kg
Asientos: 3
CARACTERISTICAS IMPORTANTES
Los módulos pueden colocarse en cualquier lugar y usarse tanto en combinación con otros productos como individualmente
MATERIALES
Composición: 100% poliéster
Pata/Base: Polipropileno
Suspensión: aglomerado
Entretela: spunbond (80g/m2), tela no tejida (120g/m2)
Este producto pertenece a la colección:
Base plástico, Plástico

United States
Today poetic design is based on a plethora of complex criteria: human experience, social behaviors, global, economic and political issues, physical and mental interaction, form, vision, and a rigorous understanding and desire for contemporary culture. Manufacturing is based on another collective group of criteria: capital investment, market share, production ease, dissemination, growth, distribution, maintenance, service, performance, quality, ecological issues and sustainability. The combination of these factors shape our objects, inform our forms, our physical space, visual culture and our contemporary human experience. These quantitative constructs shape business, identity, brand and value. This is the business of beauty. Every business should be completely concerned with beauty - it is after all a collective human need. I believe that we could be living in an entirely different world - one that is full of real contemporary inspiring objects, spaces, places, worlds, spirits and experiences. Design has been the cultural shaper of our world from the start. We have designed systems, cities, and commodities. We have addressed the world’s problems. Now design is not about solving problems, but about a rigorous beautification of our built environments. Design is about the betterment of our lives poetically, aesthetically, experientially, sensorially, and emotionally. My real desire is to see people live in the modus of our time, to participate in the contemporary world, and to release themselves from nostalgia, antiquated traditions, old rituals, kitsch and the meaningless. We should be conscious and attune with this world in this moment. If human nature is to live in the past - to change the world is to change human nature.