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Mesa de comedor Ottawa con tablero adicional OV04
Architonic ID: 20746198
SKU: 3700075OV04CCCC
Año de Lanzamiento: 2017
La mesa de comedor Ottawa se define por sus bordes suaves y redondeados y su minimalismo sensual. Contagia una agradable calma en tu comedor. Las patas características recuerdan las ramas de un árbol y enfatizan la belleza natural de la mesa de comedor Ottawa. ¿Necesito más espacio? Luego, extraiga la práctica extensión de la mesa incorporada y transforme instantáneamente la mesa de comedor familiar para 4 en la mesa perfecta para una cena para hasta 10 invitados.
MEDIDAS Y PESO
Altura: 74½ cm
Longitud: 185/250cm
Longitud extendida: 250 cm
Ancho: 100cm
Grosor del tablero de la mesa: 7½ cm
Altura hasta el tablero: 67½ cm
Peso: 53kg
peso máximo de carga: 40 kg
Asientos: 6-10
CARACTERISTICAS IMPORTANTES
Con placa adicional integrada
El tablero adicional está oculto debajo del tablero
Con la hoja adicional escondida dentro de la mesa, una persona puede agrandar la mesa rápida y fácilmente.
MATERIALES
Tablero: melamina/aglomerado/aglomerado/aglomerado/aglomerado
Pata/Base: Acero
Este producto pertenece a la colección:
Base metal, Derivados de la madera, Metal, Tablero derivados de la madera, Madera

United States
Today poetic design is based on a plethora of complex criteria: human experience, social behaviors, global, economic and political issues, physical and mental interaction, form, vision, and a rigorous understanding and desire for contemporary culture. Manufacturing is based on another collective group of criteria: capital investment, market share, production ease, dissemination, growth, distribution, maintenance, service, performance, quality, ecological issues and sustainability. The combination of these factors shape our objects, inform our forms, our physical space, visual culture and our contemporary human experience. These quantitative constructs shape business, identity, brand and value. This is the business of beauty. Every business should be completely concerned with beauty - it is after all a collective human need. I believe that we could be living in an entirely different world - one that is full of real contemporary inspiring objects, spaces, places, worlds, spirits and experiences. Design has been the cultural shaper of our world from the start. We have designed systems, cities, and commodities. We have addressed the world’s problems. Now design is not about solving problems, but about a rigorous beautification of our built environments. Design is about the betterment of our lives poetically, aesthetically, experientially, sensorially, and emotionally. My real desire is to see people live in the modus of our time, to participate in the contemporary world, and to release themselves from nostalgia, antiquated traditions, old rituals, kitsch and the meaningless. We should be conscious and attune with this world in this moment. If human nature is to live in the past - to change the world is to change human nature.