A combination of modern manufacturing technology and innovative, creative approaches means that designers and architects today can draw from a seemingly limitless range of options when it comes to interior surface design. Wallcoverings, for example – at one time smooth, flat and lifelessly one-dimensional – are today ingeniously transformed by all manner of materials, including paper, concrete, wood and cork, into tactile, bas-relief patterns.
'These two exquisite tactile collections are inspired by Modern Japonisme, which references simplicity in design, asymmetric geometric forms, origami, diamonds, fans and corrugations, evoking a sense of calm'
Woven Image has an ever-evolving product range. Two new additions are its tactile, acoustic wall-panel collections, Zen and Ion, both inspired by Japonisme – more specifically ‘Modern Japonisme’, Woven Image’s contemporary take on the clean-lined, minimal, refined aesthetic long associated with Japan.
Not that there’s anything stereotypical about this interpretation of Japanese design, explains Amy Saunders, Woven Image’s head of design: ‘These two exquisite tactile collections are inspired by Modern Japonisme, which references simplicity in design, asymmetric geometric forms, origami, diamonds, fans and corrugations, evoking a sense of calm.’
This variety of textures and forms reflects Woven Image’s nuanced interpretation of Japanese design, in turn, embodied by the contrast between these two collections. Zen comprises narrow vertical lines redolent of architectural features such as walls clad with vertical timber slats. Zen provides any workplace with visual interest yet is understated and calming. And, as the name suggests, it references meditative Zen gardens, too – imagine a rake dragged through sand in a steady, controlled manner, tracing an impeccable pattern of parallel ridges or grooves.
With its collections that explore creative possibilities with pattern and texture, this Australian company is reinventing interior acoustic panels for the modern workplace
This linear panel design is available in nine colours ranging from pale to dark tones, including cream, onyx, a mid-tone blush and richer, moodier hues such as burgundy, indigo and ivy green. In true Japanese style, these colours evoke nature, enhancing the sense of tranquillity.
In subtle contrast, Ion is an embossed design with a more organic look, thanks to its crystalline formation. There’s an intriguing asymmetric, random-looking quality to its bas-relief pattern, which is animated when light hits its angled facets. Consistent with Woven Image’s theme of Modern Japonisme, the faceted panel evokes the Japanese craft of origami. Like Zen, Ion comes in several hues, including a coal-black that’s closer to charcoal grey when it catches the light. Ion is also available in paler duck-egg blue, peach, green and several ethereal cream tones.
These 2.8 metre-high panels can be easily joined to create a continuous surface design, for single and double-height installations. Facilitating this, Zen has bevelled edges. Ion, meanwhile, has straight edges, allowing for exact pattern-matching and alignment despite its seemingly irregular pattern.
