OMA is a leading international partnership practicing architecture, urbanism, and cultural analysis. OMA's buildings and masterplans around the world insist on intelligent forms while inventing new possibilities for content and everyday use. OMA is led by ten partners – Rem Koolhaas, Ellen van Loon, Reinier de Graaf, Shohei Shigematsu, Iyad Alsaka, David Gianotten, Chris van Duijn, Ippolito Pestellini Laparelli, Jason Long and Michael Kokora – and maintains offices in Rotterdam, New York, Beijing, Hong Kong, Doha and Dubai.

OMA-designed buildings currently under construction include Garage Museum of Contemporary Art in Moscow, Taipei Performing Arts Centre, Qatar National Library, Qatar Foundation Headquarters, Bibliothèque Multimédia à Vocation Régionale in Caen, Bryghusprojektet in Copenhagen, Musée National des Beaux-Arts du Québec, and Faena Arts Center in Miami.
OMA's recently completed projects include Fondazione Prada in Milan (2015); G-Star Headquarters in Amsterdam (2014); Shenzhen Stock Exchange (2013); De Rotterdam, a large mixed-use tower in the Netherlands (2013); CCTV Headquarters in Beijing (2012); New Court, the headquarters for Rothschild Bank in London (2011); Milstein Hall at Cornell University in Ithaca, New York (2011); and Maggie's Centre, a cancer care centre in Glasgow (2011). Earlier buildings include Casa da Música in Porto (2005), Seattle Central Library (2004), and Netherlands Embassy in Berlin (2003).


Unveiling The Prada Foundation
Fondazione Prada, 2008
The Prada Foundation, based in Milan and started in 1993, documents its history and OMA's plans to renovate and expand the exhibition spaces through interventions in a compound of post-industrial buildings.

Al Manakh
Archis Foundation, 2007
A joint production of AMO, Moutamarat, and Archis, Al Manakh offers the first detailed analysis of the current urban condition in the Gulf and discusses the implications of the rapid development of this territory for the rest of the world.

The Gulf
Lars Müller Publishers, 2006
An accordian-style foldout booklet accompanying OMA/AMO's exhibition on the Gulf at the 2006 Venice Architecture Biennale, investigating the feverish production of urban substance on sites where nomads roamed unmolested only half a century ago.

Taschen, 2004
Content is a follow-up to SMLXL, an inventory of seven years of OMA's tireless labour. In many ways it is structured according to what its predecessor is not – dense, cheap, disposable. The relentless internal logic that propelled SMLXL is here counteracted by the incorporation of critical, external voices.

Domus D'Autore: Post-Occupancy
Domus, July 2006
AMO/OMA guest edit an issue of Domus, looking at four recent buildings not through our eyes but through the broader media and cultural context which these projects entered into, and through the intimate and critical experiences of their users.

Quodlibet, 2006
Junkspace is the new flamboyant, flexible, forgettable face of architecture, rendered by Rem Koolhaas in a visceral and rampantly analytical essay.

Condé Nast, June 2003
AMO and Rem Koolhaas guest-edit an issue of the groundbreaking tech magazine, Wired, presenting an atlas of "30 Spaces for the 21st Century" and articles on emerging geopolitical and technological domains by Mark Leonard, Hans Ulrich Obrist, Bruno Latour, Beatrice Colomina among others. The issue also includes Koolhaas's reconsideration of New York, 25 years after Delirious New York.

Project on the City I: Great Leap Forward
Taschen, 2002
A study by OMA and the Harvard Graduate School of Design on the Pearl River Delta, an area of China undergoing a maelstrom of modernization and set to become a megalopolis of 36 million inhabitants by 2020.

Project on the City II: The Harvard Guide to Shopping
Taschen, 2001
Shopping is arguably the last remaining form of public activity. The Harvard Guide to Shopping, made by the Harvard Graduate School of Design and OMA, explores the spaces, people, techniques, ideologies, and inventions by which shopping has so dramatically refashioned the city at the turn of the century.

Projects for Prada: Part 1
Fondazione Prada, 2001
Research undertaken by OMA/AMO into the condition and possibilities for Prada as they conceived new epicentre stores in New York, Los Angeles, and San Francisco.

Actar, 2001
Mutations, a joint project of Rem Koolhaas/OMA and the Harvard Project on the City, explores the unstable urban conditions around the world at the turn of the 21st century, a tipping point at which the world's city-dwellers began to outnumber those in rural areas.

OMA 30: 30 Colours
V+K Pub, 1999
A range of OMA's projects interpreted through their use of colour, together with OMA staff choosing "their colour". Rem Koolhaas suggests that "maybe colour could make a comeback" after its demise in the 90s, as "no longer just a thin layer of change, but something that genuinely alters perception."

Monacelli Press, 1995
A mammoth compendium of 20 years of OMA's projects, arranged in order of size, this book gives an insight into the restless, ingenuitive thinking of the office through an era when architecture became a mere bystander to the explosion of the market economy and globalization.

Delirious New York
Thames & Hudson, 1978 (original)
Rem Koolhaas's 'Retroactive Manifesto for Manhattan' posits New York as the arena for the terminal stage of Western civilisation. Through the simultaneous explosion of human density and invasion of new technologies, Manhattan became, from 1850 on, a mythical laboratory for the invention and testing of a revolutionary lifestyle: the Culture of Congestion.


The Office for Metropolitan Architecture (OMA) is a leading international partnership practicing contemporary architecture, urbanism, and cultural analysis.
The office is led by six partners – Rem Koolhaas, Ole Scheeren, Ellen van Loon, Reinier de Graaf, Shohei Shigematsu and Managing Partner, Victor van der Chijs – and employs a staff of around 220 of more than 35 nationalities. Architects, researchers, designers, model makers, industrial designers and graphic designers work in close collaboration, and expert consultants are intimately involved from the beginning of the design process.
OMA's recently completed projects include Prada Transformer, a rotating multi-use pavilion in Seoul (2009), the Zeche Zollverein Historical Museum and masterplan in Essen (2006), the Seoul National University Museum of Art (2005), the much acclaimed Casa da Música in Porto (2005), the Prada Epicenter in Los Angeles (2004), the Seattle Central Library (2004), the Leeum Samsung Museum of Art in Seoul (2004), the Netherlands Embassy in Berlin (2003), the IIT Campus Center in Chicago (2003), and the Prada Epicenter in New York (2001).
The work of Rem Koolhaas and OMA has won several international awards including the Pritzker Architecture Prize in 2000, the Praemium Imperiale (Japan) in 2003, the RIBA Gold Medal (UK) in 2004 and the Mies van der Rohe – European Union Prize for Contemporary Architecture (2005).
To accommodate a range of projects throughout the world, OMA maintains offices in Europe (OMA*AMO Rotterdam), North America (OMA*AMO Architecture PC New York), Asia (OMA Beijing). OMA also recently established an office in Hong Kong for its work on several projects in the region.

The counterpart to OMA's architectural practice is AMO, a design and research studio based in the company's Rotterdam office. While OMA remains dedicated to the realization of buildings and masterplans, AMO often works in parallel for the same clients as a think tank that operates in areas beyond the traditional boundaries of architecture and urbanism, including media, politics, technology, art, curating, publishing, and graphic design.
This is the case with Prada: AMO's research into identity, in-store technology, and new possibilities of content-production in fashion helped generate OMA's architectural designs for new Prada epicenter stores in New York and Los Angeles. In 2004, AMO was commissioned by the European Union to study its visual communication, and designed a coloured "barcode" flag – combining the flags of all member states – that was used during the Austrian presidency of the EU. AMO also produced a major exhibition for the EU that travelled from Brussels to Vienna, Munich and Rotterdam.
AMO has consulted with Universal Studios, Amsterdam's Schiphol airport, Heineken, Ikea, Condé Nast and Harvard University, produced exhibitions at the Venice Biennale (on the Hermitage museum in St. Petersburg) and Venice Architecture Biennale (on the development of the Gulf), and guest-edited issues of the magazines Wired and Domus. Recent projects include the ongoing curatorial masterplan for the Hermitage, curating the exhibition 'Dubai Next' at the Vitra Design Museum in Weil am Rhein, and editing Al Manakh, a guide to the rapid transformation of the Gulf region.