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Brut
Architonic ID: 1558711
Year of Launch: 2017
Table.
Material: frame in cast-iron, painted in polyester powder.
Top in Carrara or Marquinia marble.
Concept
The starting point for this project was a specific manufacturing method: the production of cast iron, a material that combines great strength with a heavy weight. Cast iron performs well under compression, which is why it is used as a structural material for building bridges and, on a scale closer to furniture production, as a base for heavy machinery. It is this use of cast iron that has inspired the Brut collection. Its designs are reminiscent of the material’s typical industrial uses, and apply the communicative codes of that world to the realm of contemporary furniture: those of a solid, uncompromising material. The name Brut speaks of raw, untreated matter, but it equally calls to mind the lightness of sparkling wine. In addition to the tables and benches presented last year, the collection now expands to include a sofa with a cast iron frame and a fabric seat and back, a product that expresses refinement and elegance, qualities inherent to this project as a whole.
This product belongs to collection:
Base metal, Marble, Metal, Natural stone, Tabletop natural stone
Profile Konstantin Grcic (*1965) was trained as a cabinet maker at The John Makepeace School (Dorset, England) before studying Design at the Royal College of Art in London. Since setting up his own practice Konstantin Grcic Industrial Design (KGID) in Munich in 1991, he has developed furniture, products and lighting for some of the leading companies in the design field. Amongst his renowned clients are Authentics, BD Ediciones, ClassiCon, Flos, Flötotto, Laufen, Magis, Mattiazzi, Muji, Nespresso, Plank, Serafino Zani, Thomas-Rosenthal and Vitra. For Galerie kreo in Paris, he has created a number of limited edition pieces since 2004. Many of his products have received international design awards such as the prestigious Compasso d`Oro for his MAYDAY lamp (Flos) in 2001 and the MYTO chair (Plank) in 2011. Work by Konstantin Grcic forms part of the permanent collections of the world´s most important design museums (a.o. MoMA/New York, Centre Georges Pompidou/Paris). Konstantin Grcic has curated a number of significant design exhibitions such as DESIGN-REAL for The Serpentine Gallery, London (2009), COMFORT for the St.Etienne Design Biennale (2010) and BLACK2 for the Istituto Svizzero, Rome (2010). In 2012 he was responsible for the exhibition design of the German Pavillon at the 13th Architecture Biennale in Venice. Solo exhibitions of his work have been shown at the Museum Boijmans Van Beuningen (Rotterdam, 2006), Haus der Kunst (Munich, 2006), The Art Institute of Chicago (2009) and most recently at the Vitra Design Museum (Weil am Rhein, 2014). The Royal Society for the Encouragement of Arts, Manufactures and Commerce (RSA) appointed Konstantin Grcic "Honorary Royal Designer for Industry (Hon RDI)", in 2010 he was fellow at Villa Massimo in Rome. Design Miami/ arwarded him the title "2010 Designer of the Year". Konstantin Grcic defines function in human terms, combining formal strictness with considerable mental acuity and humour. Each of his products is characterized by a careful research into the history of design and architecture and his passion for technology and materials. Known for pared-down pieces, Grcic is often called a minimalist but the designer himself prefers to speak of simplicity.