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Keope
Architonic ID: 20161998
SKU: Y 910
Year of Launch: 2020
Console consisting of 2 trapezoidal legs and a shaped and sectioned top made of different materials.
Machined and laser cut ground metal base in the finishes:
- bright shaded brown,
- Black Rose gold,
- bright light gold,
- matt Champagne gold,
- bright chrome,
- bright black chrome,
- matt satin bronze,
- bright pink gold,
- matt pink gold.
The leg insert is covered in leather from the catalogue or in wood: glossy/matt ebony, Canaletto walnut stained glossy/matt Macadamia, glossy/matt Sycamore frisè. Under-top covered in leather from the catalogue, if desired, matching the leg insert.
The top, divided into 3 parts, is in the finishes:
- Emperador Dark marble,
- Guatemala Green marble,
- Bardiglio Nuvolato marble,
- Shale Rosewood marble,
- Silver Wave marble,
- Agatha Black marble,
- Calacatta Gold marble,
- Dover White marble,
- Red Levanto marble,
- Elegant Brown marble,
- Frappuccino marble,
- Corteccia marble,
- Panda White marble,
- Sahara Noir marble (polyester finish),
- Port Saint Laurent marble,
- Fusion Light marble,
- Patagonia marble,
- Explosion Blue marble,
- Fusion Multicolor marble,
- Juliet Quartz marble,
- Azul Macauba marble,
- Portoro marble,
(Onyxes on request),
or in wood: glossy/matt ebony, Canaletto walnut stained glossy/matt Macadamia, glossy/matt Sycamore frisè.
This product belongs to collection:
Base metal, Marble, Metal, Natural stone, Tabletop natural stone

Italy
Giuseppe Viganò began his career in the field of interior design by working for prestigious showrooms in the Brianza area. His skills quickly led him to become an art director, taking on responsibilities such as organizing retail spaces, selecting products, designing displays, and managing staff. It was through this experience that Viganò came to understand the tastes, needs, and preferences of clients, allowing him to shape his own vision of design. In 1988, he began working independently, and in 2012, he founded Studio Viganò in Lissone, in the province of Monza-Brianza. Viganò's work spans various areas of design—not limited to furniture design alone, but also extending to concept development, communication, temporary installations, and interior design. From his early work experiences, Viganò developed a keen ability to observe and draw inspiration from his surroundings. In an interview, he stated: “Everything that strikes me is, in some way, a source of inspiration for me. Every form of art is included in this: from architecture to literature, from fashion to music. After all, isn’t design an act of poetry?” A passionate admirer of the visual arts, Viganò sees the use of new materials as an opportunity—a moment for knowledge and creative exploration. According to Viganò, a good industrial design project must be based on three principles: Affinity – the object should reflect the personality of the buyer. Functionality – the object must meet the needs of the user and be designed to provide a solution. Cost – it should be consistent with what is being offered. His style can be described as eclectic, always attentive to societal changes and focused on addressing the needs of contemporary living. From this perspective, he leads his team in seeking formal and functional responses to collective needs, creating elegant yet never conventional objects and environments. Viganò has many ongoing collaborations, both in exhibit design—often featured at the Salone del Mobile in Milan—and in product development. Notable brands he has worked with include: Poliform, Arflex, Bonacina Pierantonio, Bonaldo, Visionnaire, Arketipo, CIA International, Cogliati & Cogliati, Confalonieri, Matteo Grassi, Emmemobili, Estel, F.lli Longhi, Frighetto, Gamma International, Horus, Ivano Redaelli, Lema, Minotti, MisuraEmme, Porada, Saba Italia, Rivolta, Tappeti Artexa, Tisettanta, Turri, LiuJo Living Collection, YDF, Reflex, Twils, MEMEDESIGN, and Morelato. His Ellipses chair, designed for Bonacina Pierantonio, was nominated for the ADI INDEX 2010 selection for the prestigious Compasso d'Oro ADI Award.