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This product is discontinued and no longer available. For maintenance information or further details, please
Architonic ID: 1309878
Year of Launch: 2015
Concept
Armchair that after 20 years from its launch comes alive once again with new finishes:
Supporting frame finish with epoxy powder coating gunmetal color, RAL K-7 9017 matt black or RAL-K-7 9010 white.
Weave with a full backgrounds, warp and weft, for the version in cellulose cord, or extremely elegant in the version waved in leather scooby (braided leather trim), which reveals its nature only to a closer look.
While Innovative for indoor / outdoor use, is CARBON FROG Unchanged in the design and experimental in the materials, with weave in flat black polyester cord.
Starting from a 3D scan of the original model, have been evaluated various assembly options compatible with the carbon fiber; then specific molds have been designed, through appropriate software, to achieve the required result.
Molds are made of aluminum, through a milling using a 5-axis numerical control machine, then polished to obtain a first surface finish of the carbon fiber in its visible part.
The seat structure, made by highly specialized personnel, has been shaped completely by hand with the use of multi-axial and unidirectional fabrics, overlapping orthogonally, to ensure structural rigidity in the objective of preserving the mechanical strength, while greatly lighten the weight.
Developed with tubular parts with a thickness ranging from 2 to 3mm, the structure has been reinforced in the areas of highest stress and has undergone a curing cycle in an autoclave at high temperature at constant pressure.
The exterior finish for painting, done by hand by skilled artisans who have concurred in making this product unique and well tended.
The choice of carbon fiber, polymeric material with high performances, is often aided by its physical and mechanical characteristics that define the known characteristic of innovative and eternal material, used more and more frequently in the field of aeronautics, automotive, marine and product design.
This product belongs to collection:
Base metal, Leather, Metal, Seat leather, Seat mesh covering

Italy
With offices in Milan and New York, Lissoni & Partners possesses a close to forty-year history in developing international projects in the fields of architecture, landscape, interior, product and graphic design, as well as handling the art direction for a range of prestigious companies. Led by Piero Lissoni, the studio adopts a tailored approach to each intervention, bringing together a broad range of expertise and establishing a stylistic code and a visual identity that are clearly and instantly recognizeable. Inspired by a sense of rigor and simplicity, the work of the studio is distinguished by a close regard to detail, coherence and elegance, as well as by scrupulous attention to proportion and harmony. Piero Lissoni is creative director for Alpi, Boffi, Living Divani, Lualdi, Porro and Sanlorenzo, for which companies he also designs an extensive range of products. Recognized as one of the masters of contemporary design, he has worked with many international brands including Alessi, Atlas Concorde, B&B Italia, Bonacina1889, Cappellini, Cassina, De Padova, Fantini, Fendi Casa, Flos, Fritz Hansen, Glas Italia, Golran, illycaffè, Kartell, Knoll, Nerosicilia, Olivari, RBM MORE, Roda, Salvatori, Tecno and Viccarbe. Organised around different fields of intervention, the practice comprises Lissoni Casal Ribeiro for masterplans, landscape design and architecture, Lissoni Associati for interior design and fit-outs, Lissoni Design for art direction and product design and Lissoni Graphx for graphic design, visual communication and brand identity, while Lissoni Architecture New York develops architecture and interior design projects for the American continent. Some of the most important architecture and interior projects deserving of mention include the new headquarters of Banca Ifis in Rome (2024), AP House for Audemars Piguet (2024), the Dorothea Hotel Autograph Collection for Marriott International in Budapest (2023), the AKA hotels in New York and Alexandria, Virginia (2023), an exclusive area inside the NCL Norwegian Prima cruise ship entitled The Haven (2022), the Shangri-La Shougang Park in Beijing (2021) realized for the 2022 winter Olympics, The Ritz-Carlton Residences in Miami Beach (2020), the Grand Park Hotel in Rovinj, Croatia (2019), the restyling of the historic Camparino in Galleria Bar in Milan (2019), The Middle House for the Swire Hotels Group in Shanghai (2018), the residential projects One Paraiso and Grand Paraiso in Miami (2018), The Oberoi Al Zorah Beach Resort Ajman in the UAE (2017), the interiors of a series of yachts for Sanlorenzo (2017-2023), the Conservatorium Hotel in Amsterdam (2012) and the renovation of the historic Teatro Nazionale in Milan (2009), in addition to the corporate headquarters for companies such as Boffi, Glas Italia, Fantini, Living Divani and the shipyards of Sanlorenzo in La Spezia and Ameglia. Ongoing projects include a large mixed-use complex (commercial and residential) in Budapest, the expansion of The Oberoi Al Zorah Beach Resort in Ajman, luxury hotels in Spalato and Mumbai, as well as the interiors for SLS Red Sea, which forms part of The Red Sea Project, an ambitious venture to develop ultra-luxury, carbon-neutral islands in Saudi Arabia. On the American continent, the practice is developing a range of residential projects such as the Four Seasons Private Residences Lake Austin in Texas, the Oakridge Residences in Vancouver and the Arborea Itaim in Sao Paulo, in addition to a resort in Turks and Caicos and a hotel with residences in Mexico. There are also many ongoing, high-level private residential projects worldwide, from Cyprus to Shanghai and from Miami to San Francisco. Piero Lissoni’s interest in the art world has brought him to design a range of temporary exhibitions, including the retrospective of the photographer Giovanni Gastel at the Palazzo della Ragione in Milan, curated by Germano Celant, and the anthology dedicated to the Renaissance painter “Bernardino Luini e i suoi Figli” at the Palazzo Reale, also in Milan. In 2020 he realized the exhibition design for “Giovanni Gastel. The People I like.” at the MAXXI National Museum of 21st Century Arts in Rome and subsequently reshown at the Triennale in Milan. From 2018 to 2023, Lissoni & Partners was a supporting member of the Fondazione Palazzo Te, a partnership that began with the exhibition design, graphics and catalogue for “Tiziano/Gerhard Richter. Il Cielo sulla Terra”, followed by the exhibition design for “Giulio Romano: Arte e Desiderio” in 2019, “Venere Divina. Armonia sulla Terra” in 2021 and “Mantova: l’Arte di vivere” in 2022, the latter also including realization of the visual communications. From 2015 to 2019 the Studio worked with the Bagatti Valsecchi Museum in Milan, designing the temporary exhibitions room and a series of fit-outs and becoming an institutional partner of the house museum in 2017. Piero Lissoni has received a series of international awards, including the Compasso d’Oro Career Award, two Compasso d'Oro ADI, the Good Design Award and the Red Dot Award. From 2017 to 2022 he was a member of the Board of Directors of the MAXXI National Museum of 21st Century Arts in Rome, and from 2014 to 2021 he served on the Advisory Board at the Politecnico di Milano.