The rigorous two-door parallelepiped, supported by almost invisible feet, has been embellished through inlay work, thus becoming a real poster of wood art: graffiti-cries such as “freedom”, “love”, “peace” wrap up the piece of furniture in a spiral of cheerful restlessness in red and black. Presented is a version with red background, black words and red interiors. Like a brush-stroke by Andy Warhol on the essential furnishing of a Confucian essay.
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