Michael Eden found inspiration for his lights and vase in Renato Giuseppe Bertelli’s interpretation of portraiture Continuous Profile —Head of Mussolini, 1933. But has reworked the concept by replacing the powerful profile of Mussolini with one that represents infinite classic beauty, Audrey Hepburn. The idea of mirror imaging silhouettes is interpreted in Eden’s design that feature dual walls of glass. All the pieces of Audrey Vase are individually hand-blown, either free blown where the form is controlled by the skill of the blower or blown into moulds where more complex shapes are required. Vase uses the contrast between two components to juxtapose strong and subtle colours.